วันอังคารที่ 9 ธันวาคม พ.ศ. 2551
Acrylic Painting Lesson - Mistakes To Avoid In Your Acrylic Paintings
0 ความคิดเห็น เขียนโดย kasem ที่ 19:02When you are just starting out with acrylic painting, you will most certainly make your share of mistakes. This is the natural process of painting and we all learn and grow from our mistakes. This article introduces some of the more common mistakes beginner acrylic painters make.
Mistake #1 to avoid: Not using enough variety in your painting. An interesting painting has variety. It creates curiosity and interest, and the viewer wants to return again to observe it. So how do you create an interesting painting? Use a variety of different brushstrokes, techniques and values in your paintings. Change the direction of your brushstrokes or mix different techniques in the same painting.
Mistake #2 to avoid: Being too technical or copying. In order to truly paint a subject, and when I say "truly", I am not saying you should copy the subject exactly as you see it. I am referring to connecting to the painter inside and truly painting your own impression of what you see. This is how your inner creativity shines on the canvas. It is what set painters like Vincent van Gogh and Claude Monet apart from the rest. They each injected their own style and heart into their work. I believe your own unique creativity comes to the surface the moment you stop relying on the technicalities and theories associated with painting. I am not saying one shouldn't study techniques and theory, but at some point we have to put that stuff on the back burner and let our creativity do some of the thinking. Whatever you do, don't copy other artists. There is nothing wrong with allowing other artists to influence you, just make sure you allow your own unique style to come through.
Mistake #3 to avoid: Not observing your subjects. Do you spend time observing the subjects you feel inspired to paint? If you are a portrait artist, have you done any studying of the human anatomy? If you paint landscapes, do you spend enough time outdoors in that environment? If you aren't spending enough time observing the subjects that you wish to paint, then you won't know have enough knowledge to paint them.
Mistake #4: Not using quality art supplies. Are you using quality acrylic painting supplies? A really experienced and talented artist could probably create an entire painting using a toothpick, but who really wants to work that hard? When it comes to fine art supplies, you usually do get what you pay for. If you paint with a 50cent paintbrush, it will probably paint just like a 50cent paintbrush. The ferrule will more than likely become loose and the hairs will probably shed. If you are using really cheap paint, you will more than likely get really cheap results. The colors will not have the same brilliance or the right consistency. So invest in quality art supplies and take great care of them as well.
Mistake #5 to avoid: Not using enough paint. Learn how to apply paint to your canvas. Many beginners don't reload their brushes often enough. I made this same mistake when I first began painting. I would squeeze out a little glob of paint and try to cover as much area as possible. In my case, I was just lazy, but many beginners are fearful of wasting paint. This is a reasonable concern considering the cost of supplies. The truth however, is that your paintings will be more interesting if you lay down the brush stroke, leave it alone, and then reload your brush. Don't try and scrub the paint into the canvas, otherwise you are just staining, and not painting.
Mistake #6 To Avoid: Over Thinking. Don't overly criticize or judge your own work while you are painting. This only creates discouragement and forces many beginners to become frustrated and quit. Just relax and let go. Trust yourself and your abilities.
I hope this article on acrylic painting has been helpful. Never get discouraged if you are making mistakes or not happy with your work. Mistakes are learning tools. Learn and move on. The most important aspect of painting is the enjoyment we receive from it anyway. Frustration and discouragement should never dominate the painting experience. Happy painting!
Mistake #1 to avoid: Not using enough variety in your painting. An interesting painting has variety. It creates curiosity and interest, and the viewer wants to return again to observe it. So how do you create an interesting painting? Use a variety of different brushstrokes, techniques and values in your paintings. Change the direction of your brushstrokes or mix different techniques in the same painting.
Mistake #2 to avoid: Being too technical or copying. In order to truly paint a subject, and when I say "truly", I am not saying you should copy the subject exactly as you see it. I am referring to connecting to the painter inside and truly painting your own impression of what you see. This is how your inner creativity shines on the canvas. It is what set painters like Vincent van Gogh and Claude Monet apart from the rest. They each injected their own style and heart into their work. I believe your own unique creativity comes to the surface the moment you stop relying on the technicalities and theories associated with painting. I am not saying one shouldn't study techniques and theory, but at some point we have to put that stuff on the back burner and let our creativity do some of the thinking. Whatever you do, don't copy other artists. There is nothing wrong with allowing other artists to influence you, just make sure you allow your own unique style to come through.
Mistake #3 to avoid: Not observing your subjects. Do you spend time observing the subjects you feel inspired to paint? If you are a portrait artist, have you done any studying of the human anatomy? If you paint landscapes, do you spend enough time outdoors in that environment? If you aren't spending enough time observing the subjects that you wish to paint, then you won't know have enough knowledge to paint them.
Mistake #4: Not using quality art supplies. Are you using quality acrylic painting supplies? A really experienced and talented artist could probably create an entire painting using a toothpick, but who really wants to work that hard? When it comes to fine art supplies, you usually do get what you pay for. If you paint with a 50cent paintbrush, it will probably paint just like a 50cent paintbrush. The ferrule will more than likely become loose and the hairs will probably shed. If you are using really cheap paint, you will more than likely get really cheap results. The colors will not have the same brilliance or the right consistency. So invest in quality art supplies and take great care of them as well.
Mistake #5 to avoid: Not using enough paint. Learn how to apply paint to your canvas. Many beginners don't reload their brushes often enough. I made this same mistake when I first began painting. I would squeeze out a little glob of paint and try to cover as much area as possible. In my case, I was just lazy, but many beginners are fearful of wasting paint. This is a reasonable concern considering the cost of supplies. The truth however, is that your paintings will be more interesting if you lay down the brush stroke, leave it alone, and then reload your brush. Don't try and scrub the paint into the canvas, otherwise you are just staining, and not painting.
Mistake #6 To Avoid: Over Thinking. Don't overly criticize or judge your own work while you are painting. This only creates discouragement and forces many beginners to become frustrated and quit. Just relax and let go. Trust yourself and your abilities.
I hope this article on acrylic painting has been helpful. Never get discouraged if you are making mistakes or not happy with your work. Mistakes are learning tools. Learn and move on. The most important aspect of painting is the enjoyment we receive from it anyway. Frustration and discouragement should never dominate the painting experience. Happy painting!
Weight loss is perhaps the most talked topic of late. Its not only considered as a problem but medical science mark it as an epidemic. It's a nutritional disorder that arises due to over consumption of fats then our body requires. The new diet pill Acomplia is generating great interest among the overweight patients on this pretext. Proven records are also available related to its success on obesity.
Apart for keeping a person free from excess weight, the diet pill Acomplia also helps a person in stopping his or her's urges for smoking. In fact it's a multifunctional diet pill and is very effective indeed.
According to studies, there are nerve receptors called CB1receptors that exist in the brain and fat cells. These receptors urge the body to overeat and smoke. Acomplia works by targeting the CBI receptors and blocking the body's ability to receive signals that tells it to smoke or eat more. It helps to normalize the EndoCannabinoid System thus making hunger and cigarette cravings more manageable. This blocking of signals results in weight loss. It further improves the cardiovascular or metabolic risk factors in obese people and reduces their dependence on nicotine and helps them quit smoking.
Though, studies on the side-effects of Acomplia have been done, but are clinically proved to be tolerable and mild. Dizziness nausea, stomach upset, depression and sweating are a few to mention. Though reports of overdose haven't been proved till date, but better to discard the practice, for it may be proved harmful sometimes.
Generally a dose of 20mg before breakfast or in an empty stomach is enough to give a desired result. But a mixture of a controlled diet, some exercise and Acomplia can really give miraculous results. According to clinical trials a person can loose his or her body weight, any amount 20-25 pound if a dose of 20mg is practised for a period of a year.
Although promising results are proved, it is should be used under a good dietician's observation. Often there are misconception among it's users that an overdose or double dose of Acomplia will show faster results. But one should know the fact it's a drug and trying to overdose it can prove to be fatal.
Apart for keeping a person free from excess weight, the diet pill Acomplia also helps a person in stopping his or her's urges for smoking. In fact it's a multifunctional diet pill and is very effective indeed.
According to studies, there are nerve receptors called CB1receptors that exist in the brain and fat cells. These receptors urge the body to overeat and smoke. Acomplia works by targeting the CBI receptors and blocking the body's ability to receive signals that tells it to smoke or eat more. It helps to normalize the EndoCannabinoid System thus making hunger and cigarette cravings more manageable. This blocking of signals results in weight loss. It further improves the cardiovascular or metabolic risk factors in obese people and reduces their dependence on nicotine and helps them quit smoking.
Though, studies on the side-effects of Acomplia have been done, but are clinically proved to be tolerable and mild. Dizziness nausea, stomach upset, depression and sweating are a few to mention. Though reports of overdose haven't been proved till date, but better to discard the practice, for it may be proved harmful sometimes.
Generally a dose of 20mg before breakfast or in an empty stomach is enough to give a desired result. But a mixture of a controlled diet, some exercise and Acomplia can really give miraculous results. According to clinical trials a person can loose his or her body weight, any amount 20-25 pound if a dose of 20mg is practised for a period of a year.
Although promising results are proved, it is should be used under a good dietician's observation. Often there are misconception among it's users that an overdose or double dose of Acomplia will show faster results. But one should know the fact it's a drug and trying to overdose it can prove to be fatal.
Psychic readers are often trivialized as fortune-tellers at the local fair. However, an effective psychic reader has the ability to address mental and emotional issues, such as pitfalls and bad relationships and how to deal with them; accurate counseling can help seekers address the core of the issue and make better progress in all aspects of their life.
However, doubts on a psychic reader's credibility begin to crop up when a prediction goes awry. For instance, a psychic may predict that a major shift in the seeker's relationship will occur in about a year. But when that year is up, and he finds himself in the same relationship, he tends to assume the prophecy was erroneous. Unfortunately, it is not so straightforward.
A psychic reader's prophecy is not an engraving set in stone. Accuracy is very important in a psychic reading but, in every seeker's individual life, free will is supreme. Psychic readers do not usually see an inflexible, predestined event. They see the patterns at work in the seeker's life and how and when they are likely to manifest into certain events – IF his current momentum remains unchanged.
Accuracy must also reflect a psychic's ability to offer lucid insights that a seeker could then apply to the issue in a practical manner. In the context of a bad relationship or marriage for instance, a seeker may be told, "Your relationship is coming to an end," followed by an account of why that is being seen. Whether it is overwhelming job responsibilities or a bad temperament, why a relationship is heading towards disaster is more important than whether it will end. When the seeker begins to understand why things are going wrong and takes measure to rectify it, he takes the first step towards making a change, thus altering the psychic reader's ominous prophecy.
However, doubts on a psychic reader's credibility begin to crop up when a prediction goes awry. For instance, a psychic may predict that a major shift in the seeker's relationship will occur in about a year. But when that year is up, and he finds himself in the same relationship, he tends to assume the prophecy was erroneous. Unfortunately, it is not so straightforward.
A psychic reader's prophecy is not an engraving set in stone. Accuracy is very important in a psychic reading but, in every seeker's individual life, free will is supreme. Psychic readers do not usually see an inflexible, predestined event. They see the patterns at work in the seeker's life and how and when they are likely to manifest into certain events – IF his current momentum remains unchanged.
Accuracy must also reflect a psychic's ability to offer lucid insights that a seeker could then apply to the issue in a practical manner. In the context of a bad relationship or marriage for instance, a seeker may be told, "Your relationship is coming to an end," followed by an account of why that is being seen. Whether it is overwhelming job responsibilities or a bad temperament, why a relationship is heading towards disaster is more important than whether it will end. When the seeker begins to understand why things are going wrong and takes measure to rectify it, he takes the first step towards making a change, thus altering the psychic reader's ominous prophecy.
วันพุธที่ 3 ธันวาคม พ.ศ. 2551
Abstract art is not just a mixture of colourful meaningless patterns and arbitrary shapes.
There is, I believe, a definate therapeutic value to be found in most of the enigmatic marks made by the very different styles available today. What appears to be the most important decision to make is a very careful consideration of the specific audience in conjunction with the choosing of the appropriate artwork. This is not something to be taken lightly or quickly. This can cover anybody within the wide spectrum of individual audiences: a busy boardroom environment or a single office or room where quick thinking, fast reactions, and serious decision making is required; or a worker who returns from a hard days work simply wanting to be visually massaged by an easily observed enigma; or even the space inwhich the desperate and mostly misunderstood person who is gradually loosing their tentative hold on the sense of reality. There is a tremendous variety of possibilities.
Here are some suggested associations from one artists point of view:
Colour plays an obvious healing and therapeutic role to be found in a carefully selected crafted piece, and so colour-field work, which is growing in popularity, first conceived by artists like Mark Rothko and Ellsworth Kelly with their vast areas of empty colour space, might add a general feeling of peace and quiet to an otherwise noisy and hectic environment. With there being very few variations within such a large image a gentle sense of immersion into abstract stillness can slow down any fretful or irratic thinking, and even assist with the adrenal challenge of a creative.
Indefinate shapes or patterns by the likes of Jackson Pollock, Peter Lanyon, and Howard Hodgkin (again, similar works inspired by these very different abstract styles can be seen in many exhibitions, shops and galleries), show a very positive association, and may perhaps persuade a mind filled with illogical thoughts to pause, simply take in the apparent spontenaiety, and then take a different direction. Hodgkin style works in particular can be seen as puzzle like canvases inwhich the observer has no real point of reference so is free to "start" anywhere upon the picture. And because there are very few defined areas sometimes the observer inevitably finds themself either regarding the piece with little emotion, and therefore can freely make a comment - positive or not.
Let us not deny, however, the fact that many an image that has the potential to provoke a negative response can also be of great value to the observer who might actually benefit from seeing such a challenging picture that bears such a bad association. Better there on the wall than here inside the head. In this case the classic associations of red for blood and danger, black for death and sin, brown for decay and illness, along with dramatic lines and movements found in a painting are equally valuable stimulii if revealed within the appropriate environment. This comes back to my point made at the beginning - when choosing a picture, very careful consideration must be taken in order to find that one work of art which speaks directly to the very deepest parts of the observer.
There is, I believe, a definate therapeutic value to be found in most of the enigmatic marks made by the very different styles available today. What appears to be the most important decision to make is a very careful consideration of the specific audience in conjunction with the choosing of the appropriate artwork. This is not something to be taken lightly or quickly. This can cover anybody within the wide spectrum of individual audiences: a busy boardroom environment or a single office or room where quick thinking, fast reactions, and serious decision making is required; or a worker who returns from a hard days work simply wanting to be visually massaged by an easily observed enigma; or even the space inwhich the desperate and mostly misunderstood person who is gradually loosing their tentative hold on the sense of reality. There is a tremendous variety of possibilities.
Here are some suggested associations from one artists point of view:
Colour plays an obvious healing and therapeutic role to be found in a carefully selected crafted piece, and so colour-field work, which is growing in popularity, first conceived by artists like Mark Rothko and Ellsworth Kelly with their vast areas of empty colour space, might add a general feeling of peace and quiet to an otherwise noisy and hectic environment. With there being very few variations within such a large image a gentle sense of immersion into abstract stillness can slow down any fretful or irratic thinking, and even assist with the adrenal challenge of a creative.
Indefinate shapes or patterns by the likes of Jackson Pollock, Peter Lanyon, and Howard Hodgkin (again, similar works inspired by these very different abstract styles can be seen in many exhibitions, shops and galleries), show a very positive association, and may perhaps persuade a mind filled with illogical thoughts to pause, simply take in the apparent spontenaiety, and then take a different direction. Hodgkin style works in particular can be seen as puzzle like canvases inwhich the observer has no real point of reference so is free to "start" anywhere upon the picture. And because there are very few defined areas sometimes the observer inevitably finds themself either regarding the piece with little emotion, and therefore can freely make a comment - positive or not.
Let us not deny, however, the fact that many an image that has the potential to provoke a negative response can also be of great value to the observer who might actually benefit from seeing such a challenging picture that bears such a bad association. Better there on the wall than here inside the head. In this case the classic associations of red for blood and danger, black for death and sin, brown for decay and illness, along with dramatic lines and movements found in a painting are equally valuable stimulii if revealed within the appropriate environment. This comes back to my point made at the beginning - when choosing a picture, very careful consideration must be taken in order to find that one work of art which speaks directly to the very deepest parts of the observer.
It has been a long and raging arguement that the abstract expressionists of the 50's, 60's and 70's were very busy contemplating their own navels and trying to find the "zen" in everything they did.
I would argue that they were in fact just one very important example of the hungry sleep-drugged soul seeking a way to be heard. However, many artsists of those times, and indeed today, would flatly deny anything remotely to do with spiritual things - or worse still - religious things.
Take, for instance, one of my favourites - Mark Rothko. This tragic artist committed himself to the task of producing massive canvases with many vaguely resembling the outline of a window - especially an after image once the eye has closed. His vast expanses of colour seemed to hunt out a corner or edge in a desperate attempt to complete, or conclude, the picture. Not satisfied with that he went on to give up titling his work saying that he did not want to influence the onlooker in any way. Ironically he failed ... and sadly took his own life. For me his works speak of wonderful tantilizing clues visually demonstrating the struggling spirit seeking (and succeeding!) in revealing herself - now that is real influence! Let me explain by an apparently unrelated route:
I seek to assist my own spirit in attempting to make manifest even the tiniest, most pathetic, weakest fact that the spirit in us all is not only just trying to communicate with us - but is in fact actively seeking to set the whole human balance right ... which is the spirit leading the mind and body back to her source - not the other way round - the mind and body leading the blinded soul to ... well, eventually death.
Not so long ago I came across the writings of Meister Eckhart, a fourteenth century Christian mystic. His words amazed me. He described in his many sermons what he believed to be the truth as to why we are here. He also revealed many tantilizing "images" of the spirit from the least angelic being right up to God Himself. His descriptions were ... how can I put it simply? ... abstract!
In one of his sermons he described God as ... "unknowable" ... "not able to be understood" ... "undefinable". In another he made a statement (one of many which may have contributed to him being accused of heresy!) "People say God exists ... God does not exist ... " left out of context that would be a truly blasphemous assertion. But he went on to say that "... God is far greater ... God is beyond existance". These and many other controversial sayings have impressed me so much that I have come to "see" God as an abstract entity - not, I hasten to add, an anarchic abstract form - but rather a God far more powerful, far more greater - than I can imagine ... in other words totally undefinable. Rather than this putting a distance between me and God, it has done exactly the opposite. And when Eckhart began to describe the life of Christ in an almost completely abstract way - Eckhart said that Christs life was the greatest example of the seeking and finding the uncreated source of the pure soul - my imagination began to run like a film of frenzied obscure visuals. Eckhart has become, to me, the patron saint of abstract artists.
The beauty of Eckharts enigmatic words are intensely inspiring. What better way to illustrate his poetic writings than to describe Gods "isness" in the very basic form of a gigantic flat area of one saturated colour untainted by anythingelse. Strangely enough this could be part of an exact description from one of Rothko's immense, sometimes almost monochromatic, paintings.
But this is by no means the whole story ... one of Eckhart's contradictions said that on the one hand God is totally unapproachable, yet at the same time God is actually very, very approachable ...
However, that is another article.
I would argue that they were in fact just one very important example of the hungry sleep-drugged soul seeking a way to be heard. However, many artsists of those times, and indeed today, would flatly deny anything remotely to do with spiritual things - or worse still - religious things.
Take, for instance, one of my favourites - Mark Rothko. This tragic artist committed himself to the task of producing massive canvases with many vaguely resembling the outline of a window - especially an after image once the eye has closed. His vast expanses of colour seemed to hunt out a corner or edge in a desperate attempt to complete, or conclude, the picture. Not satisfied with that he went on to give up titling his work saying that he did not want to influence the onlooker in any way. Ironically he failed ... and sadly took his own life. For me his works speak of wonderful tantilizing clues visually demonstrating the struggling spirit seeking (and succeeding!) in revealing herself - now that is real influence! Let me explain by an apparently unrelated route:
I seek to assist my own spirit in attempting to make manifest even the tiniest, most pathetic, weakest fact that the spirit in us all is not only just trying to communicate with us - but is in fact actively seeking to set the whole human balance right ... which is the spirit leading the mind and body back to her source - not the other way round - the mind and body leading the blinded soul to ... well, eventually death.
Not so long ago I came across the writings of Meister Eckhart, a fourteenth century Christian mystic. His words amazed me. He described in his many sermons what he believed to be the truth as to why we are here. He also revealed many tantilizing "images" of the spirit from the least angelic being right up to God Himself. His descriptions were ... how can I put it simply? ... abstract!
In one of his sermons he described God as ... "unknowable" ... "not able to be understood" ... "undefinable". In another he made a statement (one of many which may have contributed to him being accused of heresy!) "People say God exists ... God does not exist ... " left out of context that would be a truly blasphemous assertion. But he went on to say that "... God is far greater ... God is beyond existance". These and many other controversial sayings have impressed me so much that I have come to "see" God as an abstract entity - not, I hasten to add, an anarchic abstract form - but rather a God far more powerful, far more greater - than I can imagine ... in other words totally undefinable. Rather than this putting a distance between me and God, it has done exactly the opposite. And when Eckhart began to describe the life of Christ in an almost completely abstract way - Eckhart said that Christs life was the greatest example of the seeking and finding the uncreated source of the pure soul - my imagination began to run like a film of frenzied obscure visuals. Eckhart has become, to me, the patron saint of abstract artists.
The beauty of Eckharts enigmatic words are intensely inspiring. What better way to illustrate his poetic writings than to describe Gods "isness" in the very basic form of a gigantic flat area of one saturated colour untainted by anythingelse. Strangely enough this could be part of an exact description from one of Rothko's immense, sometimes almost monochromatic, paintings.
But this is by no means the whole story ... one of Eckhart's contradictions said that on the one hand God is totally unapproachable, yet at the same time God is actually very, very approachable ...
However, that is another article.
I have always loved bright colors and movement, like dancing its healing, relaxing fulfilling and challenging as well. The bottom line is the feeling and message that I want to convey through the medium. When I paint, every attempt is to capture the feel of warmth, passion, joy and bliss in none objective or figurative composition. I enjoy experimentation of different media and subjects.
My subject varies based on my emotion and statement but my love for colors is constant. In spite of this, viewers see different forms or figures in my abstract expressions. The good thing about these expressions is the freedom of the viewers to see and appreciate the forms in their mind's eyes, like face painting in the eye of the viewer. Its also important to mention that "Uli" which is my traditional art style has played a major role in my age long career. The symbols and forms of this art style are reflected in my cubism, abstract images, abstract relief sculpture, seascape, drawing, pastels and watercolor painting.
People see different forms or images in abstract art, the depth of what you actually see when you look at the paintings is partly based on individual exposure and understanding of art forms, color, shapes, line and texture; which are the physical elements that combine to make up the artworks.
A selection of different dark hues, shapes and forms may give various impressions to different minds; light, airy images as mystical; balanced, temperate forms as peaceful. Uli organic forms and shape are symbolical such as colors and forms have meaning in and of themselves. It is a simple truth that you can't give what you don't have. I am a believer and my work time is also a meditation time, which can go either way depending on the spiritual consciousness of the creative mind.
To me, my work section is an intimate moment between I, canvas and colors. At this creative moment there is a spiritual impartation from the artist to the Art. Hence the emotional reaction to these elements even if they create no recognizable object for us to hang onto.
I enjoy the inclusion and deletion of space. The handling of space or the
illusion of space is another powerful element in the artist's mind. If you are drawn into a yard of three-dimensional space stretching beyond the framework of the painting to sculpture, you are not alone. The impression of depth, perspective, airiness, solidity, textures and other spatial relations are created and controlled to achieve a desired goal.
The overall composition or design of my painting or sculpture is created to guide the viewer's eyes to understanding and appreciation of the images.
I must admit, most of my figurative compositions is a celebration of womanhood, which I am very proud to be part of for they are the seats of wisdom and knowledge.
I pride in the feeling and reactions of my clients and viewers to my creations. I feel blessed in many ways than words can express. The challenge sometimes is getting the composition right, or balancing the elements of color, lines and shapes while maintaining a dynamic tension and massage beneath.
Energy is the life force that is present in all good art. This is not something that is easily defined. The life force of every work I do is the same, but different energy and different statements. It is this peculiar energy that makes my works speak to you, and makes them unique, original and identifiable to me. This energy is created out of experience and self-awareness, materials and tools, but the end is more than the means in the same sense that a musical composition is so much more than a collection of notes.
You are welcome into my world of abstract wall art or modern art, relax and let your eye leisurely wander over the collection of verities of art forms and styles. Let your heart and mind react to my colors, shapes, figures and textures. Come and spoil yourself a little in the illusion of vibrant spaces, the movement of lines and the mood of blissful atmosphere.
Come, come up close and explore the intricacies of brushstrokes, spatula- strokes, paint thickness, textures and compositional details. Enjoy how the parts are woven together to form the whole.
Take your time. My artwork cannot be understood and appreciated in a ten second glance. Allow my art to grow on you, becoming more interesting and more enjoyable to look at as you live with it.
My subject varies based on my emotion and statement but my love for colors is constant. In spite of this, viewers see different forms or figures in my abstract expressions. The good thing about these expressions is the freedom of the viewers to see and appreciate the forms in their mind's eyes, like face painting in the eye of the viewer. Its also important to mention that "Uli" which is my traditional art style has played a major role in my age long career. The symbols and forms of this art style are reflected in my cubism, abstract images, abstract relief sculpture, seascape, drawing, pastels and watercolor painting.
People see different forms or images in abstract art, the depth of what you actually see when you look at the paintings is partly based on individual exposure and understanding of art forms, color, shapes, line and texture; which are the physical elements that combine to make up the artworks.
A selection of different dark hues, shapes and forms may give various impressions to different minds; light, airy images as mystical; balanced, temperate forms as peaceful. Uli organic forms and shape are symbolical such as colors and forms have meaning in and of themselves. It is a simple truth that you can't give what you don't have. I am a believer and my work time is also a meditation time, which can go either way depending on the spiritual consciousness of the creative mind.
To me, my work section is an intimate moment between I, canvas and colors. At this creative moment there is a spiritual impartation from the artist to the Art. Hence the emotional reaction to these elements even if they create no recognizable object for us to hang onto.
I enjoy the inclusion and deletion of space. The handling of space or the
illusion of space is another powerful element in the artist's mind. If you are drawn into a yard of three-dimensional space stretching beyond the framework of the painting to sculpture, you are not alone. The impression of depth, perspective, airiness, solidity, textures and other spatial relations are created and controlled to achieve a desired goal.
The overall composition or design of my painting or sculpture is created to guide the viewer's eyes to understanding and appreciation of the images.
I must admit, most of my figurative compositions is a celebration of womanhood, which I am very proud to be part of for they are the seats of wisdom and knowledge.
I pride in the feeling and reactions of my clients and viewers to my creations. I feel blessed in many ways than words can express. The challenge sometimes is getting the composition right, or balancing the elements of color, lines and shapes while maintaining a dynamic tension and massage beneath.
Energy is the life force that is present in all good art. This is not something that is easily defined. The life force of every work I do is the same, but different energy and different statements. It is this peculiar energy that makes my works speak to you, and makes them unique, original and identifiable to me. This energy is created out of experience and self-awareness, materials and tools, but the end is more than the means in the same sense that a musical composition is so much more than a collection of notes.
You are welcome into my world of abstract wall art or modern art, relax and let your eye leisurely wander over the collection of verities of art forms and styles. Let your heart and mind react to my colors, shapes, figures and textures. Come and spoil yourself a little in the illusion of vibrant spaces, the movement of lines and the mood of blissful atmosphere.
Come, come up close and explore the intricacies of brushstrokes, spatula- strokes, paint thickness, textures and compositional details. Enjoy how the parts are woven together to form the whole.
Take your time. My artwork cannot be understood and appreciated in a ten second glance. Allow my art to grow on you, becoming more interesting and more enjoyable to look at as you live with it.
วันจันทร์ที่ 1 ธันวาคม พ.ศ. 2551
Children's birthday parties have become outrageous showcases of food, gifts, and entertainment that are costing parents more and more each year. Instead of focusing on the child, parents are striving more and more to "keep up with the Joneses" and put on fantastic displays that involve a great deal of time and money for the planning and execution of the party. Instead of worrying about booking venues packed with activities, consider throwing your child an old fashioned bash in your own backyard. For a special touch, consider hiring a magician to entertain both children and adults for the party. A magician is a great way to entertain the crowd while maintaining a unique aspect for your child's party.
A magician is a classic way to entertain and enthrall the young and the young at heart when it comes to hosting a birthday party. If your child is interested in becoming the next Houdini, use magic as the theme for his or her party. If you are planning to hire a magician to provide entertainment for you child's birthday party, you may need to plan ahead and book the magician's services in advance to prevent any last minute cancellations or bookings.
If you have decided to include a magician in your child's birthday party, call around. Ask friends, family members, or coworkers for a referral of a specific magician they have hired or seen perform in the past. Also, consider contacting your local chamber of commerce or business organization to see if there is someone offering their entertainment services for hire. You will find that word of mouth is incredibly powerful; as you can be sure the magician you hire to perform at a birthday party or any event will provide age appropriate entertainment.
Before your hire a magician or any entertainment provider, be sure to get the agreement in writing. Also, you may need to pay an initial deposit to ensure the date for the party. Some questions to ask the magician include if their material is appropriate for children, how long they plan to perform, if they are willing include the birthday child in their act, and what will happen in the unfortunate event they are unable to attend or perform.
Once you have booked your magician, be sure not to change the date and time of the party. Doing so may cost you additional money or cause you to lose the magician due to previous commitments. A magician may book several parties or events on a given day, so his or her schedule is tight and unable to be changed.
Hiring a magician is an excellent way to entertain everyone present at the party. Many magicians include kid friendly magic tricks and may even teach the children a couple of tricks of their own. If this is the case, be sure to purchase any potential items necessary for the event for the children ahead of time. Also, consider giving away magic tricks as game prizes or party favors so the theme is continued throughout the party. Your child is sure to enjoy the fun filled tricks, jokes, and illusions that a professional magician can provide.
A magician is a classic way to entertain and enthrall the young and the young at heart when it comes to hosting a birthday party. If your child is interested in becoming the next Houdini, use magic as the theme for his or her party. If you are planning to hire a magician to provide entertainment for you child's birthday party, you may need to plan ahead and book the magician's services in advance to prevent any last minute cancellations or bookings.
If you have decided to include a magician in your child's birthday party, call around. Ask friends, family members, or coworkers for a referral of a specific magician they have hired or seen perform in the past. Also, consider contacting your local chamber of commerce or business organization to see if there is someone offering their entertainment services for hire. You will find that word of mouth is incredibly powerful; as you can be sure the magician you hire to perform at a birthday party or any event will provide age appropriate entertainment.
Before your hire a magician or any entertainment provider, be sure to get the agreement in writing. Also, you may need to pay an initial deposit to ensure the date for the party. Some questions to ask the magician include if their material is appropriate for children, how long they plan to perform, if they are willing include the birthday child in their act, and what will happen in the unfortunate event they are unable to attend or perform.
Once you have booked your magician, be sure not to change the date and time of the party. Doing so may cost you additional money or cause you to lose the magician due to previous commitments. A magician may book several parties or events on a given day, so his or her schedule is tight and unable to be changed.
Hiring a magician is an excellent way to entertain everyone present at the party. Many magicians include kid friendly magic tricks and may even teach the children a couple of tricks of their own. If this is the case, be sure to purchase any potential items necessary for the event for the children ahead of time. Also, consider giving away magic tricks as game prizes or party favors so the theme is continued throughout the party. Your child is sure to enjoy the fun filled tricks, jokes, and illusions that a professional magician can provide.
Spending a day in the pool can be a great way to spend the day . A refreshing swim and time with family and friends is the perfect combination to a splendid holiday. Finding a pool to spend your day in the cool waters is not a problem anymore with ready to install pools.
The above the ground pools have made the luxury of having your own pool truly POSSIBLE. The demand for above the ground pools have increased manifold over the years due to the various advantages that it has over the traditional in-ground pools. Above ground pools are way above the in-ground pools which not only cost a whole lot more but also require a lot of time to built and commission before you can actually spend sometime in your lovely pool. Now ordering your own pool and enjoying it is possible within a matter of days. A pool all for yourself , without a huge price tag attached to it is now a reality. An above the ground pool provides great flexibility as it can be transported wherever you go , so now you can continue to enjoy a day in the pool even if you are away from home. You can now set up your own pool wherever you want and have a refreshing swim.
The above the ground pools have continuously evolved over the years and kept with the times in terms of designs and materials used and are in a position to provide you with hundred percent entertainment and enjoyment while you are in the pool. They use the latest in technology, materials and also have corrosion proof coatings. Not only are they practical but make a great style statement.
The pools themselves speak volumes about their quality and also the credibility of the producer . The product is backed by expertise and years of experience in the field. The company takes pride in offering top quality products and service. The above the ground pools have wonderful features that make it truly a great pool to own :
• Fitted with the best of equipments like Hayward cartridge filters and pumps that are user-friendly , simple and durable.
• Pool wall
• Pool liner and frame
• State of the art pumpset
• Acqua bug automatic cleaner
• Pool available in various sized and shapes to suit the individual tastes and budgets.
• SP7410 fun fountain
• Pool liners of various sizes and varied prints are available.
Do-it Yourself pool kits of various shapes are available that are very simple and user-friendly and can be installed without any problems. The Above ground pool dealer provides state-of –the art technology and lovely above the ground pools that are shipped to the buyer in a matter of a few days.
The above the ground pools have made the luxury of having your own pool truly POSSIBLE. The demand for above the ground pools have increased manifold over the years due to the various advantages that it has over the traditional in-ground pools. Above ground pools are way above the in-ground pools which not only cost a whole lot more but also require a lot of time to built and commission before you can actually spend sometime in your lovely pool. Now ordering your own pool and enjoying it is possible within a matter of days. A pool all for yourself , without a huge price tag attached to it is now a reality. An above the ground pool provides great flexibility as it can be transported wherever you go , so now you can continue to enjoy a day in the pool even if you are away from home. You can now set up your own pool wherever you want and have a refreshing swim.
The above the ground pools have continuously evolved over the years and kept with the times in terms of designs and materials used and are in a position to provide you with hundred percent entertainment and enjoyment while you are in the pool. They use the latest in technology, materials and also have corrosion proof coatings. Not only are they practical but make a great style statement.
The pools themselves speak volumes about their quality and also the credibility of the producer . The product is backed by expertise and years of experience in the field. The company takes pride in offering top quality products and service. The above the ground pools have wonderful features that make it truly a great pool to own :
• Fitted with the best of equipments like Hayward cartridge filters and pumps that are user-friendly , simple and durable.
• Pool wall
• Pool liner and frame
• State of the art pumpset
• Acqua bug automatic cleaner
• Pool available in various sized and shapes to suit the individual tastes and budgets.
• SP7410 fun fountain
• Pool liners of various sizes and varied prints are available.
Do-it Yourself pool kits of various shapes are available that are very simple and user-friendly and can be installed without any problems. The Above ground pool dealer provides state-of –the art technology and lovely above the ground pools that are shipped to the buyer in a matter of a few days.
Understanding how a casino portal works is not something that is ready knowledge for most online gamblers.
Gambling guides and casino portals are sometimes misunderstood. Many people do not realize it is these gambling websites which are very much responsible for the good things that happen in the world of online gambling because they are the ears and voices of the gaming community. Many times online casinos have reversed their decision to take an action which is not player-friendly because of the outcries of guides and portal owners who are almost all what is called "affiliates" in the industry.
As important as it is to know the affiliate is responsible for many of the good things in online gambling it is equally important to understand that nothing is ever taken away from the player by the existence of the affiliate. Some people think that because the affiliate makes a commission that they are costing the player something but it couldn't be further from the truth. Affiliates are like an extra padding of insurance that the player will be treated right. Just like there are bad casinos and good, so are there bad affiliates and good. The bad ones are those who will promote any online casino willing to pay them, the good ones step in on behalf of their players whenever a casino mistreats them. That being said, whether an affiliate costs the player any extra money is a separate issue from what casinos an affiliate chooses to list on their site or if they will step in on behalf of the player.
Affiliates are paid in several different ways which include a set amount for every visit sent to the casino website, a set amount for every player who signs up and plays for real money, a percentage of what that player loses, and there is even a payment model that depends largely on the player winning which is called "wagershare", a common practice in Las Vegas that happens with high rollers where someone who is a free-lance escort is paid in the same manner... which is a percentage on whatever amount is gambled. That is not on what is won or what is lost, but rather it is just like the way any casino, land or virtual, figures comp points. It is all figured on how many times you put money into the slot machine, or how many hands and at what stakes? in blackjack or one of the other table games. The more the player wins the more they are going to wager of course so this model is a favorite with most guides because they want to see the players win and its great when you can also profit from that excitement. In truth it all figures out to about the same whatever the model is based, although the residual incomes (the percentage of) are the fairest to all involved because the other models always end up with one side or the other coming out on the short end of the stick (that meaning the affiliate and the casino as this has no bearing on a player because if the affiliate wasn't to get paid what they do ... the money would go straight into the casino's advertising budget or their pocket but it doesn't go back to the player, just ask anybody who has ever signed up straight from a search engine, they get no more extras than anybody else, further is they have nobody to turn for help if they get cheated, whereas those who signed up through a guide can go back there and ask for intervention).
There are also gambling guides and casino portals that straight out sell advertising space and some that were created by the casinos they list. But no matter what the type, at no time does the affiliate ever cost the player anything. Besides being excellent places from which to choose a casino, these establishments often offer tips to help the player in both their game play and in their approach to online gambling as it is different than real life, most noticeably in the time delay of payments.
Gambling guides and casino portals are sometimes misunderstood. Many people do not realize it is these gambling websites which are very much responsible for the good things that happen in the world of online gambling because they are the ears and voices of the gaming community. Many times online casinos have reversed their decision to take an action which is not player-friendly because of the outcries of guides and portal owners who are almost all what is called "affiliates" in the industry.
As important as it is to know the affiliate is responsible for many of the good things in online gambling it is equally important to understand that nothing is ever taken away from the player by the existence of the affiliate. Some people think that because the affiliate makes a commission that they are costing the player something but it couldn't be further from the truth. Affiliates are like an extra padding of insurance that the player will be treated right. Just like there are bad casinos and good, so are there bad affiliates and good. The bad ones are those who will promote any online casino willing to pay them, the good ones step in on behalf of their players whenever a casino mistreats them. That being said, whether an affiliate costs the player any extra money is a separate issue from what casinos an affiliate chooses to list on their site or if they will step in on behalf of the player.
Affiliates are paid in several different ways which include a set amount for every visit sent to the casino website, a set amount for every player who signs up and plays for real money, a percentage of what that player loses, and there is even a payment model that depends largely on the player winning which is called "wagershare", a common practice in Las Vegas that happens with high rollers where someone who is a free-lance escort is paid in the same manner... which is a percentage on whatever amount is gambled. That is not on what is won or what is lost, but rather it is just like the way any casino, land or virtual, figures comp points. It is all figured on how many times you put money into the slot machine, or how many hands and at what stakes? in blackjack or one of the other table games. The more the player wins the more they are going to wager of course so this model is a favorite with most guides because they want to see the players win and its great when you can also profit from that excitement. In truth it all figures out to about the same whatever the model is based, although the residual incomes (the percentage of) are the fairest to all involved because the other models always end up with one side or the other coming out on the short end of the stick (that meaning the affiliate and the casino as this has no bearing on a player because if the affiliate wasn't to get paid what they do ... the money would go straight into the casino's advertising budget or their pocket but it doesn't go back to the player, just ask anybody who has ever signed up straight from a search engine, they get no more extras than anybody else, further is they have nobody to turn for help if they get cheated, whereas those who signed up through a guide can go back there and ask for intervention).
There are also gambling guides and casino portals that straight out sell advertising space and some that were created by the casinos they list. But no matter what the type, at no time does the affiliate ever cost the player anything. Besides being excellent places from which to choose a casino, these establishments often offer tips to help the player in both their game play and in their approach to online gambling as it is different than real life, most noticeably in the time delay of payments.
วันเสาร์ที่ 29 พฤศจิกายน พ.ศ. 2551
ABCs Desperate Housewives and the Suddenly Famous Pink Blanket
0 ความคิดเห็น เขียนโดย kasem ที่ 18:30Copyright 2006 Scott Corbett
Ever since Cary Grant rattled the men's t-shirt industry by famously appearing without one and causing a decline in retail sales of undershirts, television and movie stars have been changing the tastes of the American consumer.
For retailers in the baby products market, these celebrity-induced trends haven't been as much of a factor as they have been in the adult fashion world. No more. The American psyche seems to have entered a new phase of celebrity baby watching as Britney, Katie, Brooke and the rest show up on magazine covers with their babies alongside them. Now everyone seems to need to know which brand of stroller or diaper bag celebrity moms are using. And, not only in the popular blogs about celebrity babies, but also in the mainstream media, the baby buzz gets louder all the time.
Case Study: Desperate Housewives and Little Giraffe
Although much of the baby hoopla comes from celebrities and their own children, a recent example shows how television is capitalizing on and contributing to the same trends. One of the most striking examples of celebrity culture impacting consumer tastes in the baby market was seen recently when the ABC mega-hit Desperate Housewives created a stir in the usually calm baby boutique world by featuring a designer baby blanket made by Little Giraffe (www.littlegiraffe.com). When Eva Longoria's character Gabi brings home an adopted baby wrapped in a beautiful, obviously super-soft pink blanket, suddenly, the phones at baby boutiques around the country are ringing off the hook as customers demand one of these blankets for themselves.
So even though Gabi's stint as a mother ended several episodes later when Lily's birth mother reclaimed her, Lily's appearance on Wisteria Lane created a ripple effect still felt in baby boutiques around the country.
The now-famous pink blanket has also sparked a groundswell of interest in Little Giraffe, the company that designed it. Jennifer Zankan, of Jeneration PR, the company that manages Little Giraffe's publicity, has stated that the company's signature blanket "has become Hollywood's hottest baby product. We've been getting calls from people like Tom Cruise and Katie Holmes asking us to send them blankets."
Baby Boutiques Take Note!
All the buzz in Hollywood is apparently getting out onto Main Street, where celebrity-endorsed designer products like Little Giraffe are more popular than ever. Cundy Bryson, owners of a baby boutique based in Atlanta that features the Little Giraffe line of baby blankets, stated that purchases of Little Giraffe baby blankets rose dramatically this spring, and she attributes the increase to baby Lily's blanket. "I don't watch the show every week," she admitted, "so I was surprised when my customers started asking me about the baby blanket they saw on Desperate Housewives."
Bryson went on to note that earlier this year sales of Little Giraffe blankets increased when it was publicized that stars like Angelina Jolie and Katie Holmes used Little Giraffe blankets, "but the Desperate Housewives appearance had the biggest effect by far."
For Bryson and other retailers in the baby products market, it makes sense to keep up with Hollywood trends because in today's celebrity-focused world, whatever the stars are doing, will likely be picked up by the public eventually. And this trend shows no signs of slackening. According to Zankan, Little Giraffe blankets are going to be featured in People Magazine's upcoming baby issue. If Hollywood has anything to do with it, those baby boutiques better get ready for even bigger crowds.
Ever since Cary Grant rattled the men's t-shirt industry by famously appearing without one and causing a decline in retail sales of undershirts, television and movie stars have been changing the tastes of the American consumer.
For retailers in the baby products market, these celebrity-induced trends haven't been as much of a factor as they have been in the adult fashion world. No more. The American psyche seems to have entered a new phase of celebrity baby watching as Britney, Katie, Brooke and the rest show up on magazine covers with their babies alongside them. Now everyone seems to need to know which brand of stroller or diaper bag celebrity moms are using. And, not only in the popular blogs about celebrity babies, but also in the mainstream media, the baby buzz gets louder all the time.
Case Study: Desperate Housewives and Little Giraffe
Although much of the baby hoopla comes from celebrities and their own children, a recent example shows how television is capitalizing on and contributing to the same trends. One of the most striking examples of celebrity culture impacting consumer tastes in the baby market was seen recently when the ABC mega-hit Desperate Housewives created a stir in the usually calm baby boutique world by featuring a designer baby blanket made by Little Giraffe (www.littlegiraffe.com). When Eva Longoria's character Gabi brings home an adopted baby wrapped in a beautiful, obviously super-soft pink blanket, suddenly, the phones at baby boutiques around the country are ringing off the hook as customers demand one of these blankets for themselves.
So even though Gabi's stint as a mother ended several episodes later when Lily's birth mother reclaimed her, Lily's appearance on Wisteria Lane created a ripple effect still felt in baby boutiques around the country.
The now-famous pink blanket has also sparked a groundswell of interest in Little Giraffe, the company that designed it. Jennifer Zankan, of Jeneration PR, the company that manages Little Giraffe's publicity, has stated that the company's signature blanket "has become Hollywood's hottest baby product. We've been getting calls from people like Tom Cruise and Katie Holmes asking us to send them blankets."
Baby Boutiques Take Note!
All the buzz in Hollywood is apparently getting out onto Main Street, where celebrity-endorsed designer products like Little Giraffe are more popular than ever. Cundy Bryson, owners of a baby boutique based in Atlanta that features the Little Giraffe line of baby blankets, stated that purchases of Little Giraffe baby blankets rose dramatically this spring, and she attributes the increase to baby Lily's blanket. "I don't watch the show every week," she admitted, "so I was surprised when my customers started asking me about the baby blanket they saw on Desperate Housewives."
Bryson went on to note that earlier this year sales of Little Giraffe blankets increased when it was publicized that stars like Angelina Jolie and Katie Holmes used Little Giraffe blankets, "but the Desperate Housewives appearance had the biggest effect by far."
For Bryson and other retailers in the baby products market, it makes sense to keep up with Hollywood trends because in today's celebrity-focused world, whatever the stars are doing, will likely be picked up by the public eventually. And this trend shows no signs of slackening. According to Zankan, Little Giraffe blankets are going to be featured in People Magazine's upcoming baby issue. If Hollywood has anything to do with it, those baby boutiques better get ready for even bigger crowds.
A Unique Interview on How to Repair Music Boxes and Other Mechanical Collectibles, Part 2
0 ความคิดเห็น เขียนโดย kasem ที่ 18:29Copyright 2006 Monique Hawkins
Ballerina Music Boxes, inlaid music boxes, musical jewelry boxes, cylinder music boxes, and antique music boxes are delicate and beautiful. As most music box and antique collectors know, in order to preserve them, sometimes repair and restoration is needed. For this special work, it is important to choose a company that is reputable and an expert in this area. This is the second part of an interview with music box and mechaical insturment repair and restoration expert, Mr. Jim Weir
Jim does all kinds of antique musical box repairs and restoration. His work includes comb repairs, releading and tuning, dampering, cylinder repairing, and organ bridge work. Jim also offers all manner of musical box work on disc and cylinder music boxes..Let's listen as he continues to give us an inside peek of this unique business.
6. What if your least favorite part of running your business? Your favorite part?
"Paperwork. Dealing with taxes and Customs (although I've got quite good dealing with Customs and Carriers). My favorite part? There is a satisfaction in finally getting a job finished; there's also a fair amount of satisfaction in finally getting paid."
7. What are some of your favorite music box and collectible pieces and why?
"A 26" consul model Stella. It belonged to the late Bruce Devine and literally arrived in pieces (it had been dropped from a crane while being loaded). Originally Bruce gave it to one of my trade customers, who passed it on to me. Then my trade customer ducked out of the deal, and I ended up working direct for Bruce. It was an `interesting' experience and quite a steep learning curve. At the end though, the box did sound good. Excellent tune arrangements."
8. Is there any interesting history associated with some of your pieces?
"I don't collect musical boxes; without being funny I genuinely cannot afford to. Some of the pieces I've worked on have had `history'; as an example the Stella referred to above. Another would be a rare long and short pin Forte-Piano box (maker unknown) I overhauled for a customer in France. It had a silver presentation plaque in the lid; as far as I could gather it was presented to a Mayor in 1847 for some kind of `service to the townspeople'. I'm not up on French politics, but the middle of the 19th century were turbulent times. One of the nicest stories is a box I fully restored for an old lady in Edinburgh. She was in her 70's. The box had been in her family since new, and she had last heard it play when she was a child."
9. What important advice or tips would you give to someone who would like to start a business such as yours either online or offline?
"I wouldn't. Things move faster now that we have the Internet. To get fully involved in this kind of work takes time, which the whole `I want it NOW' approach of the Internet doesn't favor. I was lucky in that I had a skill with clocks that I was able to sharpen and direct to music box work. If I had to give advice, I'd say by all means get involved with music boxes, or whatever else begins to drive you, but try to maintain a backup. The wisest thing? Learn that `quitting' is not necessarily a personal failure; it's recognizing that some choices can turn out to be wrong. There are maybe a few music box repairers who would be happier now if, 30 years ago, they'd sold their lathes, workshop tools etc. and taken up farming. Not me though, I hasten to add."
10. For those antique and music box collectors looking to find valuable and interesting pieces for their own collections, where would you suggest they go either online or offline? How about those who are just starting a collection?
"Take advice from your friends. Don't necessarily follow it, but give it some thought. Subscribe to music box sale catalogues, it's a good way to check what things actually sell for; they often give the hammer price of items from previous sales. Go to music box auctions if you can; not necessarily to buy anything but to observe, to get a feel not just for how much pieces sell for, but for what sells and what doesn't. Try to figure out why what looked like a nice box didn't sell. If you're really interested in buying a specific musical box, either from a dealer, private seller or at auction it can save you a lot of heartache if you get someone who knows what they're looking at to check the box over and advise you of likely repair costs before you buy it. A lot of repair costs can be itemized; if a potential customer emailed or wrote to me (even `phoned me) with a good description of a box needing repair, I would do my best to advise them as to how much the repairs could cost before they part up with maybe a lot of money to buy it. I don't charge for this and neither do most restorers; having given advice we all hope for the work if the customer goes on and buys the box. If the box is a particularly fine example, and likely to be expensive to buy, it's can be worth paying a restorers time for them to go and check it out at the sellers address. I've done this; a collector armed with an itemized potential repair cost of something he's interested in buying is in a very strong position when it comes to arguing the sale price with the seller".
Jim ends with saying this about his hopes for the future:
"To bring in more work and pay off the mortgage. Ok, there's a lot more to life than that but one way or another, the bills still have to be paid. Most of my work to now has come from dealers; what I'm hoping is that by advertising in the MBSI Journal, I'll attract more work direct from the public. In theory I could put up my public prices, but in practice I cannot, at least not to customers in the USA. They already have to pay shipping costs, and the simple fact is that whether a musical box needs comb work, cylinder work or a full restoration, there's a top limit to how much most people will pay to have it worked on, irrespective of how long the work takes. People have to make choices; your car's broke, your washing machine leaks and the antique music box you inherited from your Grandmother squeaks. Which one do you spend your money on? That's about it really; the sun's shining and it's time to get back to the workshop."
I'd like to personally thank Jim for taking the time to share with us this valuable information about his business as well as letting us get a sneak peak into the world of music box repairs and restoration. Jim Weir can be reached at combwork@aol.com or by telephone/fax at 01144-1575-572647.
Ballerina Music Boxes, inlaid music boxes, musical jewelry boxes, cylinder music boxes, and antique music boxes are delicate and beautiful. As most music box and antique collectors know, in order to preserve them, sometimes repair and restoration is needed. For this special work, it is important to choose a company that is reputable and an expert in this area. This is the second part of an interview with music box and mechaical insturment repair and restoration expert, Mr. Jim Weir
Jim does all kinds of antique musical box repairs and restoration. His work includes comb repairs, releading and tuning, dampering, cylinder repairing, and organ bridge work. Jim also offers all manner of musical box work on disc and cylinder music boxes..Let's listen as he continues to give us an inside peek of this unique business.
6. What if your least favorite part of running your business? Your favorite part?
"Paperwork. Dealing with taxes and Customs (although I've got quite good dealing with Customs and Carriers). My favorite part? There is a satisfaction in finally getting a job finished; there's also a fair amount of satisfaction in finally getting paid."
7. What are some of your favorite music box and collectible pieces and why?
"A 26" consul model Stella. It belonged to the late Bruce Devine and literally arrived in pieces (it had been dropped from a crane while being loaded). Originally Bruce gave it to one of my trade customers, who passed it on to me. Then my trade customer ducked out of the deal, and I ended up working direct for Bruce. It was an `interesting' experience and quite a steep learning curve. At the end though, the box did sound good. Excellent tune arrangements."
8. Is there any interesting history associated with some of your pieces?
"I don't collect musical boxes; without being funny I genuinely cannot afford to. Some of the pieces I've worked on have had `history'; as an example the Stella referred to above. Another would be a rare long and short pin Forte-Piano box (maker unknown) I overhauled for a customer in France. It had a silver presentation plaque in the lid; as far as I could gather it was presented to a Mayor in 1847 for some kind of `service to the townspeople'. I'm not up on French politics, but the middle of the 19th century were turbulent times. One of the nicest stories is a box I fully restored for an old lady in Edinburgh. She was in her 70's. The box had been in her family since new, and she had last heard it play when she was a child."
9. What important advice or tips would you give to someone who would like to start a business such as yours either online or offline?
"I wouldn't. Things move faster now that we have the Internet. To get fully involved in this kind of work takes time, which the whole `I want it NOW' approach of the Internet doesn't favor. I was lucky in that I had a skill with clocks that I was able to sharpen and direct to music box work. If I had to give advice, I'd say by all means get involved with music boxes, or whatever else begins to drive you, but try to maintain a backup. The wisest thing? Learn that `quitting' is not necessarily a personal failure; it's recognizing that some choices can turn out to be wrong. There are maybe a few music box repairers who would be happier now if, 30 years ago, they'd sold their lathes, workshop tools etc. and taken up farming. Not me though, I hasten to add."
10. For those antique and music box collectors looking to find valuable and interesting pieces for their own collections, where would you suggest they go either online or offline? How about those who are just starting a collection?
"Take advice from your friends. Don't necessarily follow it, but give it some thought. Subscribe to music box sale catalogues, it's a good way to check what things actually sell for; they often give the hammer price of items from previous sales. Go to music box auctions if you can; not necessarily to buy anything but to observe, to get a feel not just for how much pieces sell for, but for what sells and what doesn't. Try to figure out why what looked like a nice box didn't sell. If you're really interested in buying a specific musical box, either from a dealer, private seller or at auction it can save you a lot of heartache if you get someone who knows what they're looking at to check the box over and advise you of likely repair costs before you buy it. A lot of repair costs can be itemized; if a potential customer emailed or wrote to me (even `phoned me) with a good description of a box needing repair, I would do my best to advise them as to how much the repairs could cost before they part up with maybe a lot of money to buy it. I don't charge for this and neither do most restorers; having given advice we all hope for the work if the customer goes on and buys the box. If the box is a particularly fine example, and likely to be expensive to buy, it's can be worth paying a restorers time for them to go and check it out at the sellers address. I've done this; a collector armed with an itemized potential repair cost of something he's interested in buying is in a very strong position when it comes to arguing the sale price with the seller".
Jim ends with saying this about his hopes for the future:
"To bring in more work and pay off the mortgage. Ok, there's a lot more to life than that but one way or another, the bills still have to be paid. Most of my work to now has come from dealers; what I'm hoping is that by advertising in the MBSI Journal, I'll attract more work direct from the public. In theory I could put up my public prices, but in practice I cannot, at least not to customers in the USA. They already have to pay shipping costs, and the simple fact is that whether a musical box needs comb work, cylinder work or a full restoration, there's a top limit to how much most people will pay to have it worked on, irrespective of how long the work takes. People have to make choices; your car's broke, your washing machine leaks and the antique music box you inherited from your Grandmother squeaks. Which one do you spend your money on? That's about it really; the sun's shining and it's time to get back to the workshop."
I'd like to personally thank Jim for taking the time to share with us this valuable information about his business as well as letting us get a sneak peak into the world of music box repairs and restoration. Jim Weir can be reached at combwork@aol.com or by telephone/fax at 01144-1575-572647.
A Unique Interview on How to Repair Music Boxes and Other Mechanical Collectibles
0 ความคิดเห็น เขียนโดย kasem ที่ 18:29Copyright 2006 Monique Hawkins
Ballerina Music Boxes, inlaid music boxes, musical jewelry boxes, cylinder music boxes, and antique music boxes are delicate and beautiful. As most music box and antique collectors know, in order to preserve them, sometimes repair and restoration is needed. For this special work, it is important to choose a company that is reputable and an expert in this area. With a little research, these companies usually can be found no matter what part of the world you are in. One such company and expert is Mr. Jim Weir.
Jim does all kinds of antique musical box repairs and restoration. His work includes comb repairs, releading and tuning, dampering, cylinder repairing, and organ bridge work. Jim also offers all manner of musical box work on disc and cylinder music boxes.
I recently had the privilege of interviewing Jim about his musical box repair and restoration business, which, by the way, is operated out of Scotland. Let's discover more about Jim; his hopes, and get an in depth look as to what it is like to operate a music box repair and restoration business.
Jim started off with saying this about himself:
"What can I tell you about myself? Well, I'm 56 and have been working on musical boxes for the best part of 30 years. My wife and I live in Scotland with our two daughters; one's at school and one's at University. Depending on workload my wife and both daughters help with pinning cylinders; I guess it's a family business really?"
1. Could you describe your online and offline business operations, your services and/or products in detail?
"I've used the Internet to find workshop supplies, including the machine I use for grinding and finishing repined music box cylinders. Other than that, my business is primarily offline. Most of it comes to me from people who already know me, although I've recently started advertising in the MBSI Journal. I hardly ever buy and sell musical boxes; I have a good workshop but not a retail shop or display counter. I have checked out potential purchases for customers, telling them what level of repair work they are likely to get into before they buy a specific musical box, and where a customer is looking for a particular type of box I've sometimes been able to find one, but other than that my main business is repair work, everything from full restoration to part jobs, particularly comb and cylinder work. I've got a very good team of pinners (the people who put the new pins into the cylinders for me to finish) and after advertising in the MBSI Journal, I'm beginning to pick up new individual work from customers in the USA as well as my regular trade work."
2. What made you decide to start a business specializing in antique musical box repairs and restoration? What was your inspiration or motivation?
"I trained as a clock repairer. One day a customer brought in a 15.1/2" Polyphon and asked me to `fix it'. That's where it started."
3. What have been your major challenges/obstacles over the years? How did you overcome them? "
To reverse your question, I'm still trying to figure out how to overcome them. My worst problem, or `obstacle' if you like has been myself. Some of the work I've done has been fairly intense; taking it on as if it were some kind of personal challenge has not perhaps been the wisest thing to do. I'm largely self-taught, and I'm not a good teacher, or a particularly good pupil come to that."
4. What specific types of online or offline marketing tools are you using successfully?
"I'm not sure how successful it will be; it's early days yet but I've just started to advertise in the MBSI Journal. I've picked up a couple of jobs that way. I don't advertise anywhere else, and I don't use any online marketing tools."
5. Have you always envisioned yourselves doing what you are doing now? Has it always been a passion? What did you "want to be when you grew up?
"No I've not. When I was at school, I wanted to be a train driver. Musical box work has become a passion though; trying to get the best possible sound out of a musical box is part of what drives me."
JIm will continue to give us an inside peek of the music box repair and restoration world in part 2 of this article series.
I'd like to personally thank Jim for taking the time to share with us this valuable information about his business as well as letting us get a sneak peak into the world of music box repairs and restoration. Jim Weir can be reached at combwork@aol.com or by telephone/fax at 01144-1575-572647.
Ballerina Music Boxes, inlaid music boxes, musical jewelry boxes, cylinder music boxes, and antique music boxes are delicate and beautiful. As most music box and antique collectors know, in order to preserve them, sometimes repair and restoration is needed. For this special work, it is important to choose a company that is reputable and an expert in this area. With a little research, these companies usually can be found no matter what part of the world you are in. One such company and expert is Mr. Jim Weir.
Jim does all kinds of antique musical box repairs and restoration. His work includes comb repairs, releading and tuning, dampering, cylinder repairing, and organ bridge work. Jim also offers all manner of musical box work on disc and cylinder music boxes.
I recently had the privilege of interviewing Jim about his musical box repair and restoration business, which, by the way, is operated out of Scotland. Let's discover more about Jim; his hopes, and get an in depth look as to what it is like to operate a music box repair and restoration business.
Jim started off with saying this about himself:
"What can I tell you about myself? Well, I'm 56 and have been working on musical boxes for the best part of 30 years. My wife and I live in Scotland with our two daughters; one's at school and one's at University. Depending on workload my wife and both daughters help with pinning cylinders; I guess it's a family business really?"
1. Could you describe your online and offline business operations, your services and/or products in detail?
"I've used the Internet to find workshop supplies, including the machine I use for grinding and finishing repined music box cylinders. Other than that, my business is primarily offline. Most of it comes to me from people who already know me, although I've recently started advertising in the MBSI Journal. I hardly ever buy and sell musical boxes; I have a good workshop but not a retail shop or display counter. I have checked out potential purchases for customers, telling them what level of repair work they are likely to get into before they buy a specific musical box, and where a customer is looking for a particular type of box I've sometimes been able to find one, but other than that my main business is repair work, everything from full restoration to part jobs, particularly comb and cylinder work. I've got a very good team of pinners (the people who put the new pins into the cylinders for me to finish) and after advertising in the MBSI Journal, I'm beginning to pick up new individual work from customers in the USA as well as my regular trade work."
2. What made you decide to start a business specializing in antique musical box repairs and restoration? What was your inspiration or motivation?
"I trained as a clock repairer. One day a customer brought in a 15.1/2" Polyphon and asked me to `fix it'. That's where it started."
3. What have been your major challenges/obstacles over the years? How did you overcome them? "
To reverse your question, I'm still trying to figure out how to overcome them. My worst problem, or `obstacle' if you like has been myself. Some of the work I've done has been fairly intense; taking it on as if it were some kind of personal challenge has not perhaps been the wisest thing to do. I'm largely self-taught, and I'm not a good teacher, or a particularly good pupil come to that."
4. What specific types of online or offline marketing tools are you using successfully?
"I'm not sure how successful it will be; it's early days yet but I've just started to advertise in the MBSI Journal. I've picked up a couple of jobs that way. I don't advertise anywhere else, and I don't use any online marketing tools."
5. Have you always envisioned yourselves doing what you are doing now? Has it always been a passion? What did you "want to be when you grew up?
"No I've not. When I was at school, I wanted to be a train driver. Musical box work has become a passion though; trying to get the best possible sound out of a musical box is part of what drives me."
JIm will continue to give us an inside peek of the music box repair and restoration world in part 2 of this article series.
I'd like to personally thank Jim for taking the time to share with us this valuable information about his business as well as letting us get a sneak peak into the world of music box repairs and restoration. Jim Weir can be reached at combwork@aol.com or by telephone/fax at 01144-1575-572647.
วันศุกร์ที่ 28 พฤศจิกายน พ.ศ. 2551
There are many well-known, skilled magicians that you might not know about because even though they're well known, they haven't reached magician cult status. Most people know about the magician David Copperfield, but there are many more magicians equally skilled. So, take a moment to learn about other wizards of magic and expand your knowledge about magicians.
Curtis Adams: A magician who appeared at the age of 16 in the Young Magicians Showcase featured on Fox Television. He was born on October 12, 1984 and was one of the youngest magicians to perform in Reno, Nevada casinos.
Criss Angel: The only three-time magician winner of the Merlin Award from the International Society of Magicians. Angel is a skilled magician who did stunts like lying on a bed of nails while a Hummer drove over him.
Ed Balducci: A street magician who died in 1988 at the age of 82. He is a magician known for his gimmick-free trick of visibly rising several inches from the ground with his back turned to his audience.
Derren Brown: A British magician who practiced traditional close-up magic in the 1990s. Brown's claim as a magician is his "mind-reading" act. Brown claims aliens abducted him.
Cardini: Richard "Cardini" Pitchford was a magician with almost 50 years of performing tricks and illusions. He's one of the world's most imitated magicians, but no one to date has ever been able to completely duplicate his tricks. He was a magician known for his sleight of hand. Items were forever appearing and disappearing from his hands. He died in 1973.
Tommy Cooper: A magician and comedian known who was a member of the Magic Circle until his death in 1984. He collapsed while doing a live magician act that became his last.
Paul Daniels: A currently retired British magician who in 1983 became the first magician to ever receive the prestigious Magician of the Year Award by the Hollywood Academy of Magical Arts.
S.W. Erndase: A magician and author whose real identity has never been figured out. Erndase is a magician who wrote a book in 1902 about card playing tricks.
Ching Ling Foo: The first Asian magician to achieve fame. He was a magician who did tricks like breathing fire and pulling a fifteen-foot pole from his mouth. He died in 1922.
Lennart Green: A magician known for his close-up card tricks. In 1991 this magician became the world champion of in close-up card magic.
Paul Harris: A magician known for pulling coins from mirrors. Many claim he is a magician with skills like a combination of Copperfield and Henning.
Scott Interrante: An American magician specializing in escape-artist tricks. He won awards from the International Brotherhood of Magicians.
Ricky Jay: A magician listed in the Guinness Book of Records as throwing a playing card 190 feet at 90 miles per hour.
Fred Kaps: A Dutch magician who died in 1980. He is a magician known for making a saltshaker create an endless supply of salt.
Juan Tamariz: A Spanish magician who in 1971 founded a school that has trained generations of Spanish magicians.
Dia Vernon: This Canadian magician was born in 1894 as David Frederick Wingfield Verner. This magician, who died in 1992, is known for fooling Houdini with one of his card tricks.
Paul Zenon: A British street magician who also performed in the bars and pubs in the U.K. This magician has written three books about magic, the most recent published in 2005.
Curtis Adams: A magician who appeared at the age of 16 in the Young Magicians Showcase featured on Fox Television. He was born on October 12, 1984 and was one of the youngest magicians to perform in Reno, Nevada casinos.
Criss Angel: The only three-time magician winner of the Merlin Award from the International Society of Magicians. Angel is a skilled magician who did stunts like lying on a bed of nails while a Hummer drove over him.
Ed Balducci: A street magician who died in 1988 at the age of 82. He is a magician known for his gimmick-free trick of visibly rising several inches from the ground with his back turned to his audience.
Derren Brown: A British magician who practiced traditional close-up magic in the 1990s. Brown's claim as a magician is his "mind-reading" act. Brown claims aliens abducted him.
Cardini: Richard "Cardini" Pitchford was a magician with almost 50 years of performing tricks and illusions. He's one of the world's most imitated magicians, but no one to date has ever been able to completely duplicate his tricks. He was a magician known for his sleight of hand. Items were forever appearing and disappearing from his hands. He died in 1973.
Tommy Cooper: A magician and comedian known who was a member of the Magic Circle until his death in 1984. He collapsed while doing a live magician act that became his last.
Paul Daniels: A currently retired British magician who in 1983 became the first magician to ever receive the prestigious Magician of the Year Award by the Hollywood Academy of Magical Arts.
S.W. Erndase: A magician and author whose real identity has never been figured out. Erndase is a magician who wrote a book in 1902 about card playing tricks.
Ching Ling Foo: The first Asian magician to achieve fame. He was a magician who did tricks like breathing fire and pulling a fifteen-foot pole from his mouth. He died in 1922.
Lennart Green: A magician known for his close-up card tricks. In 1991 this magician became the world champion of in close-up card magic.
Paul Harris: A magician known for pulling coins from mirrors. Many claim he is a magician with skills like a combination of Copperfield and Henning.
Scott Interrante: An American magician specializing in escape-artist tricks. He won awards from the International Brotherhood of Magicians.
Ricky Jay: A magician listed in the Guinness Book of Records as throwing a playing card 190 feet at 90 miles per hour.
Fred Kaps: A Dutch magician who died in 1980. He is a magician known for making a saltshaker create an endless supply of salt.
Juan Tamariz: A Spanish magician who in 1971 founded a school that has trained generations of Spanish magicians.
Dia Vernon: This Canadian magician was born in 1894 as David Frederick Wingfield Verner. This magician, who died in 1992, is known for fooling Houdini with one of his card tricks.
Paul Zenon: A British street magician who also performed in the bars and pubs in the U.K. This magician has written three books about magic, the most recent published in 2005.
While traveling abroad, especially if you are going to meet a <a href="http://www.oksanalove.com">lady</a> you’ve been communicating with for some time, you might consider bringing a few gifts over. Selecting the right things seem like a challenge at first, but let me assure you – it’s not as scary as it seems.General rulesThe first thing to remember is that gifts don’t have to be something excessively expensive. They are meant to be simply symbols of appreciation and something to remember you by. Good ideas for gifts might be some hand-made crafts, something representative of your culture or things that mean something to you personally.It is very common to baseball hats or bring t-shirts. While these are great practical souvenirs, we would advise at least to find out the size of t-shirt/hat the person you are getting them for wears. It will save you from feeling confused when you give an XXL t-shirt to a lady with size 2, for example, and make the recipient feel like they are getting a personalized gift instead of an item fit-for-all.Advanced gift-givingOf course, if you want to go for something more interesting, there is no limit to your imagination. There are plenty of things <a href="http://www.oksanalove.com">women</a> like: jewelry, accessories, collectibles, perfume, etc. Things like this could be a great idea to give someone with whom you have a fairly close relationship.If you want to give an extremely pleasant surprise and score some extra points for being a thoughtful and caring man that we all know you are, don’t feel inconvenient or embarrassed to find out about specific preferences of a lady you're going to visit. One my good friend simply blew his sweetheart away, when he brought her a superb collection of DVDs as a gift. It served a double-purpose: he shortened a wish list of an avid movie collector and gave her an extra chance to practice English. Speaking of: if the woman you're going to visit is trying to learn English, it might be a good idea to find something to help her do it (some books in simple language, software to help her study, etc.)If you decide to spoil your <a href=http://www.oksanalove.com>lady</a> while visiting her, you will also have a plenty of options.For example, while visiting someone’s home, it is common to bring flowers and some sweets/cake with juice/wine. Again, it would be a good idea to ask about a person’s preferences before selecting something.It will add a nice touch to your first date if you bring her flowers.If you are looking to make a specific gift to a person, you could treat her to a session at a beauty parlor. All women like to look good, but not all of them can find time or money to have someone else do their hair, nails, etc. Even if it’s not the case, giving your girl an opportunity to get pampered will be a memorable event for her.Rules to rememberWhatever you are going to bring, make sure it is light and unbreakable in order not to come across with the problem of luggage limits and handling;Do not make gifts a central part of your visit; exercise moderation and focus on getting to know the lady you are meeting, not letting her know the contents of your wallet;Bring a few extra trinkets just in case you make some unexpected acquaintances and want to leave a souvenir for them.In spite of your selection of the gifts, remember: the best gift of all is the honest communication.Good luck!</pre>
Negative issues are usually associated with addiction. Drug abuse, excessive drinking, and even too much gambling are all negative activities that are highly addictive. But if there is one kind of addiction that is actually beneficial for adults and kids alike, it would be an addiction to sudoku puzzles. Researchers rank solving sudoku puzzles daily among the top ten non-traditional and alternative ways to boosts brain power. Other brain boosting moves include high-protein diets, listening to classical music, and lots of rest. These are simple but are rather difficult to follow because of budget limitations, personal preferences, and lifestyle. This is the advantage sudoku games holds over other brain boosters. They are accessible from newspapers, books, and even the Internet. They are also workable between breaks or at any spare time. So every time someone chastises you for doing sudoku again, kindly explain and hope that they pick up the habit too.
Though sudoku puzzles are not mathematical problems, solving the puzzles requires the most basic tool of mathematics and science: logic. Since the puzzles entail the use of logic, common sense, and concentration, the brain is put out of the stupor of doing routine, mundane tasks. In other words, your brain actually gets a break and a good work-out. Studies reveal that the more the brain uses its skills, the better it works. Brains that get more exercise are determined to be more active, and its cells are healthier. Researchers even associate sudoku brain exercises to physical exercise. They stress that just as physical exercise keeps muscle loss at bay, sudoku exercise keeps brain cells from dying and also encourages better brain function. Education is important, but studies actually show that students who do mental workouts like sudoku have higher IQs than students who do not. This only shows that doses of sudoku are more than just ways to pass time. They actually help in improving your ability to comprehend more complex ideas.
Ian Robertson, a neuroscientist, facilitated a research among the elderly with the premise that decreased mental ability is not inevitable with the right stimulation. The research included two groups of elderly people: the first group solved sudoku puzzles as part of their routine, while the second did not. After some time, their IQ levels were tested and compared to their test results before the experiment. The sudoku-solving group was found to have increased their mental abilities by a significant percentage while the other group showed no change. Dr. Robertson cited a similar research wherein 3,000 people, aged 65-94, were found to have increased their mental capabilities and age by as much as 14 years, just by ten sessions of brain boosting exercise like sudoku.
Other experts agree with these findings, saying that solving challenging mind games like sudoku puzzles inhibit or prevent the development of Alzheimer's disease and memory loss. Health trends also show that adults with demanding, and intellectually challenging jobs benefit from better mental function when they age. Sudoku functions just like these jobs because it requires brain exertions.
As it is, experts advise adults to encourage children to solve puzzles like sudoku to start mental improvement earlier in life. Sudoku exercises are actually adopted by some schools to stimulate thinking and foster better academic performance of their students. So instead of letting kids watch TV, or read comics, hand them sudoku puzzles. Then, both you and your kids can defend your love of sudoku to those poor souls who do not understand the beauty, joy, and benefits of solving it.
Though sudoku puzzles are not mathematical problems, solving the puzzles requires the most basic tool of mathematics and science: logic. Since the puzzles entail the use of logic, common sense, and concentration, the brain is put out of the stupor of doing routine, mundane tasks. In other words, your brain actually gets a break and a good work-out. Studies reveal that the more the brain uses its skills, the better it works. Brains that get more exercise are determined to be more active, and its cells are healthier. Researchers even associate sudoku brain exercises to physical exercise. They stress that just as physical exercise keeps muscle loss at bay, sudoku exercise keeps brain cells from dying and also encourages better brain function. Education is important, but studies actually show that students who do mental workouts like sudoku have higher IQs than students who do not. This only shows that doses of sudoku are more than just ways to pass time. They actually help in improving your ability to comprehend more complex ideas.
Ian Robertson, a neuroscientist, facilitated a research among the elderly with the premise that decreased mental ability is not inevitable with the right stimulation. The research included two groups of elderly people: the first group solved sudoku puzzles as part of their routine, while the second did not. After some time, their IQ levels were tested and compared to their test results before the experiment. The sudoku-solving group was found to have increased their mental abilities by a significant percentage while the other group showed no change. Dr. Robertson cited a similar research wherein 3,000 people, aged 65-94, were found to have increased their mental capabilities and age by as much as 14 years, just by ten sessions of brain boosting exercise like sudoku.
Other experts agree with these findings, saying that solving challenging mind games like sudoku puzzles inhibit or prevent the development of Alzheimer's disease and memory loss. Health trends also show that adults with demanding, and intellectually challenging jobs benefit from better mental function when they age. Sudoku functions just like these jobs because it requires brain exertions.
As it is, experts advise adults to encourage children to solve puzzles like sudoku to start mental improvement earlier in life. Sudoku exercises are actually adopted by some schools to stimulate thinking and foster better academic performance of their students. So instead of letting kids watch TV, or read comics, hand them sudoku puzzles. Then, both you and your kids can defend your love of sudoku to those poor souls who do not understand the beauty, joy, and benefits of solving it.
วันพุธที่ 26 พฤศจิกายน พ.ศ. 2551
Most collectors understand and feel knowledgeable when speaking of singular original works of art — paintings, pencil drawings, pen and inks, acrylics, watercolors, etc. Here the artist has created <b>one</b> work of art with his own hand. The surface might be paper or canvas or even masonite.
A bit more complicated are <b>Multiple Originals</b>...commonly called <b>Original Prints</b>. Traditionally, the artist creates a master image for the purpose of making a small number of prints that he will sign and number. The master image might be created upon a block, stone, plate or screen — any of which assists in conveying the image to the print surface. See our <a href="http://www.galleryone.com/format_learningcenter.htm#primer>chart</a> detailing the differences in woodcuts, etchings, lithographs, and serigraphs or silkscreens.
The blocks, plates, stones and screens cannot be considered originals. They are just vehicles to produce <b>Original Prints</b>.
Next there are <b>Reproductive Prints</b>. The artist has produced an original work...and photograph technology and automated printing equipment create reproductions. Fine art print reproductions are usually signed and numbered in limited editions and care must be exercised so they remain in mint condition in order to preserve their value. Click the link above the view a diagram.
A similar, but much advanced process, creates gicl้es — the state of the art prints now taking the art collecting world to a whole new level.
A bit more complicated are <b>Multiple Originals</b>...commonly called <b>Original Prints</b>. Traditionally, the artist creates a master image for the purpose of making a small number of prints that he will sign and number. The master image might be created upon a block, stone, plate or screen — any of which assists in conveying the image to the print surface. See our <a href="http://www.galleryone.com/format_learningcenter.htm#primer>chart</a> detailing the differences in woodcuts, etchings, lithographs, and serigraphs or silkscreens.
The blocks, plates, stones and screens cannot be considered originals. They are just vehicles to produce <b>Original Prints</b>.
Next there are <b>Reproductive Prints</b>. The artist has produced an original work...and photograph technology and automated printing equipment create reproductions. Fine art print reproductions are usually signed and numbered in limited editions and care must be exercised so they remain in mint condition in order to preserve their value. Click the link above the view a diagram.
A similar, but much advanced process, creates gicl้es — the state of the art prints now taking the art collecting world to a whole new level.
Never work with children or animals... easier said than done when you're a parent. Over the last few years I have tried many times to get the perfect photograph. With one child, trial and error often results in an image you are happy with. And with the advent of the digital camera, dud photos are a thing of the past. However, with three children, I've finally realised it's not possible to get the perfect picture, even with the help of a professional photographer!
I recently enlisted the help of such a man for the all-important christening photos. All dressed up and looking the picture of perfection, my husband and I set off with our adorable little troop to the studio!
Upon arrival our eldest took off upstairs with his eldest, our middle one trailing behind.
The baby then decided he absolutely had to be fed! As a breastfeeding mum it was no mean feat undoing my not very practical top to quite literally feed his demand! Eyes averted and a hastily placed teacloth spared some blushes, as we all waited until baby had his fill.
Finally, everyone gathered together, we were ushered into the studio, only for our eldest daughter to put on a display worthy of a two year old - and she is six! Tempers fraying we waited, coaxed and encouraged her to act her age!
Needless to say the session ran into overtime, the photos were hastily shot and as we left we vowed never to put ourselves or any photographer through such an ordeal again!
They say every picture tells a story. We received our pictures with trepidation. Amazingly the photographer had captured some wonderful angelic moments - although we still have some trouble believing the children in the pictures are ours. Maybe some new photographic wizardry replaced sullen angry little people with little shiny happy people.
However it happened, neither of us can look at the pictures without being transported right back to the stress of the day itself.
And so the beautiful photographs languish at the back of the wardrobe until such a time as we can laugh about the situation and our own naivety as parents. We thought it would be easy...
I recently enlisted the help of such a man for the all-important christening photos. All dressed up and looking the picture of perfection, my husband and I set off with our adorable little troop to the studio!
Upon arrival our eldest took off upstairs with his eldest, our middle one trailing behind.
The baby then decided he absolutely had to be fed! As a breastfeeding mum it was no mean feat undoing my not very practical top to quite literally feed his demand! Eyes averted and a hastily placed teacloth spared some blushes, as we all waited until baby had his fill.
Finally, everyone gathered together, we were ushered into the studio, only for our eldest daughter to put on a display worthy of a two year old - and she is six! Tempers fraying we waited, coaxed and encouraged her to act her age!
Needless to say the session ran into overtime, the photos were hastily shot and as we left we vowed never to put ourselves or any photographer through such an ordeal again!
They say every picture tells a story. We received our pictures with trepidation. Amazingly the photographer had captured some wonderful angelic moments - although we still have some trouble believing the children in the pictures are ours. Maybe some new photographic wizardry replaced sullen angry little people with little shiny happy people.
However it happened, neither of us can look at the pictures without being transported right back to the stress of the day itself.
And so the beautiful photographs languish at the back of the wardrobe until such a time as we can laugh about the situation and our own naivety as parents. We thought it would be easy...
One of the most top-rated television shows currently on air would be Heroes, a sci-fi series created by Tim Kring. It is an epic drama that shares the lives of seemingly ordinary people who later discovers that they possess extraordinary abilities. This TV series somewhat copies the style of American comic books in aesthetic as well as storytelling. The shows starts with a genetic professor from India, Dr. Mohinder Suresh and his father's theory that there are people with extraordinary abilities living among us humans. Starting with Claire Bennet, an indestructible cheerleader who needs to hide her abilities from her peers while working to maintain her relationship with her father, a man of mystery who has a keen interest in people like her. Niki Sanders, a Las Vegas single mother with superb strength and has a dangerous mirror image struggles to support and protect her young son Micah, a genius who can interact with electronic machinery through touch. Matt Parkman, a police detective from Los Angeles, attempts to put his ability to hear thoughts of others to good use. Meanwhile, in Japan, Hiro Nakamura's ability to travel through space-time continuum has empowered him to change the future as he travels on wild adventures with his best friend Ando Masahashi. Nathan Petrelli, with a congressional position, has the ability to fly. His dreams went down after failing to stop his younger brother Peter Petrelli, a nurse with the ability to absorb the powers of others, from exploding over New York. After this clash in New York, the fate of Sylar, a manipulative serial killer dedicated to violently collect the extraordinary powers of special people, is unknown. Meanwhile, in Dominican Republic, a young woman named Mava Herrera and her twin brother, haunted by her threatening ability, attempts to make the dangerous cross to the United States in search for answers. Monica Dawson, cousin of Micah, has mimicking abilities and would give up everything to help the people around her.
Every episode shows how these people deal with their powers and how they are somewhat interconnected. Every person has their own lifestyle, making the series much more realistic. It shows different ways of living in different countries, only to find out that they have supernatural powers. These characters offer a wide range of relationships, and are inclined to self-destruction. Of course, they fear what other people might say, and fear not knowing exactly what they could do with their powers. The show offers a life drama that everyone could easily relate to, plus a twist of extraordinary powers. In season one of this series, they gave us an introduction of how these special people become connected by their unique and special abilities. It gave us an overview of these characters and their unique abilities, and how others try to manipulate these powers in a bad way.
Season two is still on and is focused on introducing new sets of characters, also with unique abilities as well. Many people all over the world have been constantly raving about this series, proving its success and good ratings. With each episode, they consistently show us different stories of different people with only one goal: to save the world.
Every episode shows how these people deal with their powers and how they are somewhat interconnected. Every person has their own lifestyle, making the series much more realistic. It shows different ways of living in different countries, only to find out that they have supernatural powers. These characters offer a wide range of relationships, and are inclined to self-destruction. Of course, they fear what other people might say, and fear not knowing exactly what they could do with their powers. The show offers a life drama that everyone could easily relate to, plus a twist of extraordinary powers. In season one of this series, they gave us an introduction of how these special people become connected by their unique and special abilities. It gave us an overview of these characters and their unique abilities, and how others try to manipulate these powers in a bad way.
Season two is still on and is focused on introducing new sets of characters, also with unique abilities as well. Many people all over the world have been constantly raving about this series, proving its success and good ratings. With each episode, they consistently show us different stories of different people with only one goal: to save the world.
วันอังคารที่ 25 พฤศจิกายน พ.ศ. 2551
A New Music of the Orient: a Touch of the West and a Dash of the Divine
0 ความคิดเห็น เขียนโดย kasem ที่ 18:38A new musical fusion has arisen in New York and it's not the kind you can catch for ten dollars at a club in the West Village. For the many thousands of Chinese immigrants trying to stay afloat in a new world and for those westerners who have always wanted to understand the Chinese but have shied away for lack of a way in--for anyone who has wondered where the two civilizations connect, the answer may lie not in words, but in music.
Lisa Li is a master of the pipa (Chinese lute) and a graduate of the Chinese Conservatory of China. She has composed and performed across Europe, Asia and the United States, and her playing was featured in the Academy Award-winning movie The Last Emperor. Now, as one of the lead composers for New Tang Dynasty Television's Chinese New Year Spectacular, a grand scale performance of traditional Chinese dance and song, Lisa has created what she believes to be a new kind of sound--based on ancient Chinese folk and religious music, but going beyond either of them.
"Music is alive, because in the view of the Chinese ancients, every single object in the world has life. In fact, in Chinese, when we refer to a musical note we call it a 'live note,'" she explains. But according to Lisa, it must be composed and played from the heart—sometimes in ways that sound foreign to the western ear.
But the melodies are far from random. Lisa's music, like all traditionally composed Chinese music, is based on a series of pentatonic (5-note) scales. This system has its roots in Taoism, which teaches that all matter is formed from the five basic elements of metal, earth, wood, fire, and water. It teaches that in order for a being to be healthy, it must have all of these elements in balance. So, from the Chinese perspective, a song or piece of music must also contain a uniquely crafted balance of these elements. There are also eight note scales that relate to the Taoist symbol called the bagua, which is most commonly known in the West as part of the practice of fengshui, or geomancy.
An example of this is the piece she wrote for the dance "A Dunhuang Dream." The dance is set against a backdrop of thousands of caves carved into the sides of cliffs as they are in the Moago Grottoes in the Dunhuang region of China. Seated at the mouth of each cave is a Buddhist or Taoist deity. As the dancers emerge, one can hear from the orchestra pit the voices of the erhu (Chinese violin) and guzhen (zither), but these are soon joined by the more recognizable resonance of cello, bass, oboe, and brass. The result strikes the ear as achingly otherworldly and yet also solidly familiar.
In fact, the specific ya yue used in the score is the same as that found in the ancient pipa music written on scrolls that were discovered by archeologists in the actual Dunhuang caves years ago.
"I feel very deeply that music is a heavenly language, a divine language," Lisa says. "It is able to uplift people's hearts and minds. It is good for the soul."
Lisa Li is a master of the pipa (Chinese lute) and a graduate of the Chinese Conservatory of China. She has composed and performed across Europe, Asia and the United States, and her playing was featured in the Academy Award-winning movie The Last Emperor. Now, as one of the lead composers for New Tang Dynasty Television's Chinese New Year Spectacular, a grand scale performance of traditional Chinese dance and song, Lisa has created what she believes to be a new kind of sound--based on ancient Chinese folk and religious music, but going beyond either of them.
"Music is alive, because in the view of the Chinese ancients, every single object in the world has life. In fact, in Chinese, when we refer to a musical note we call it a 'live note,'" she explains. But according to Lisa, it must be composed and played from the heart—sometimes in ways that sound foreign to the western ear.
But the melodies are far from random. Lisa's music, like all traditionally composed Chinese music, is based on a series of pentatonic (5-note) scales. This system has its roots in Taoism, which teaches that all matter is formed from the five basic elements of metal, earth, wood, fire, and water. It teaches that in order for a being to be healthy, it must have all of these elements in balance. So, from the Chinese perspective, a song or piece of music must also contain a uniquely crafted balance of these elements. There are also eight note scales that relate to the Taoist symbol called the bagua, which is most commonly known in the West as part of the practice of fengshui, or geomancy.
An example of this is the piece she wrote for the dance "A Dunhuang Dream." The dance is set against a backdrop of thousands of caves carved into the sides of cliffs as they are in the Moago Grottoes in the Dunhuang region of China. Seated at the mouth of each cave is a Buddhist or Taoist deity. As the dancers emerge, one can hear from the orchestra pit the voices of the erhu (Chinese violin) and guzhen (zither), but these are soon joined by the more recognizable resonance of cello, bass, oboe, and brass. The result strikes the ear as achingly otherworldly and yet also solidly familiar.
In fact, the specific ya yue used in the score is the same as that found in the ancient pipa music written on scrolls that were discovered by archeologists in the actual Dunhuang caves years ago.
"I feel very deeply that music is a heavenly language, a divine language," Lisa says. "It is able to uplift people's hearts and minds. It is good for the soul."
I've found a cool apartment! Okay, okay…so it's not perfect. Just a few bugs. I mean literally! First expense? An exterminator! Is it worth the cash? Well, I can't afford a more expensive place, so a one-time (please!) cash outlay should be okay. Maybe just a can of "Raid?"
I need a way to move my stuff. Daddy, can I borrow your truck? You don't have one? Why not? Do you want one? I'll help you pick it out! Well, it was just a suggestion. No need to get all bent out of shape! I guess I'd better call the truck rental places. What do you mean…$200…PLUS mileage? AND Gas? Good grief!
While I'm on the phone I'll call the utility and phone companies. Yes, I know I haven't used your services before. No, I don't have a credit card; this is my first place. You want what? A $100 deposit? For EACH? Holy cow…do you people have a license to steal?
Daddy, I need $500 for moving expenses! I used all my money for the first and last months rent AND the damage deposit. Well, how was I to know this was going to be so expensive? Sell something? Daaaaad…I NEED my TV!
Boy, this place is pretty empty. Maybe I should buy a couch and a chair. Nah…I have my bed. That'll be good enough. I don't need a table; I'll just use this box.
Renters Insurance? I don't think so! What do I have to insure?
Just got my first phone call! I'd love to come to your party! Daddy, I need a car. Because it's too far to walk to work, that's why. Umm, Daddy…there's car insurance too! Thanks, Dad…you're the best! And gas? I didn't think so…
Time for dinner. Let's look in these boxes. Oh, No! No dishes or pans. No FOOD!
Uhhh, Mom?
I need a way to move my stuff. Daddy, can I borrow your truck? You don't have one? Why not? Do you want one? I'll help you pick it out! Well, it was just a suggestion. No need to get all bent out of shape! I guess I'd better call the truck rental places. What do you mean…$200…PLUS mileage? AND Gas? Good grief!
While I'm on the phone I'll call the utility and phone companies. Yes, I know I haven't used your services before. No, I don't have a credit card; this is my first place. You want what? A $100 deposit? For EACH? Holy cow…do you people have a license to steal?
Daddy, I need $500 for moving expenses! I used all my money for the first and last months rent AND the damage deposit. Well, how was I to know this was going to be so expensive? Sell something? Daaaaad…I NEED my TV!
Boy, this place is pretty empty. Maybe I should buy a couch and a chair. Nah…I have my bed. That'll be good enough. I don't need a table; I'll just use this box.
Renters Insurance? I don't think so! What do I have to insure?
Just got my first phone call! I'd love to come to your party! Daddy, I need a car. Because it's too far to walk to work, that's why. Umm, Daddy…there's car insurance too! Thanks, Dad…you're the best! And gas? I didn't think so…
Time for dinner. Let's look in these boxes. Oh, No! No dishes or pans. No FOOD!
Uhhh, Mom?
A magic trick is created to amuse and mesmerize an audience who comes to the show knowing that all the tricks are not real and have fun because they can't figure out how the magic was done. You won't see a magician exposing magic mainly because telling how a magic was done is to kill the thrill and fun in watching them.
Magicians wanting to join a group of other magicians are required to give an oath to that effect. Never tell anyone who is not a magician the reason behind a trick and to never show a trick to anyone when you haven't fully mastered it.
Once you gave your oath as a magician, it is expected that you will live up to your promise. Once you tell somebody and the organization found out about it, you may find yourself not receiving new tricks or that no one is teaching you how another trick is done.
Note though that you can tell it to somebody who is really willing to learn on how to be a magician. In fact you can see instruction videos and detailed instructions on sale in many shops. This is to help budding magicians into starting their careers or hobbies. Some of the tricks included in these instruction videos are common tricks and very easy to learn.
Some magicians also tell their tricks to misdirect others and help them appreciate a new trick that they have done. Old tricks seem to bore adult audiences that they tend to 'bungle up' the old tricks in preparation for their new tricks which proves more astonishing.
Magic tricks, once shown how they are done, may be posed with risk of becoming stale. Sometimes it is because you are disappointed at how easy it actually is or maybe because you found out that the trick requires a lot of props to accomplish. This is the reason no magician in his right mind will tell an audience how a trick is done. A magic told is a magic lost. Secrecy is the key and the magic is in keeping those secrets within you.
Magic is a living art, new illusions are propping up and new ways are introduced. Yes, you will see magicians telling their tricks but true magicians will always find their way around it. They will devise new illusions from old illusions and they will get more creative in how they show those illusions.
Magicians wanting to join a group of other magicians are required to give an oath to that effect. Never tell anyone who is not a magician the reason behind a trick and to never show a trick to anyone when you haven't fully mastered it.
Once you gave your oath as a magician, it is expected that you will live up to your promise. Once you tell somebody and the organization found out about it, you may find yourself not receiving new tricks or that no one is teaching you how another trick is done.
Note though that you can tell it to somebody who is really willing to learn on how to be a magician. In fact you can see instruction videos and detailed instructions on sale in many shops. This is to help budding magicians into starting their careers or hobbies. Some of the tricks included in these instruction videos are common tricks and very easy to learn.
Some magicians also tell their tricks to misdirect others and help them appreciate a new trick that they have done. Old tricks seem to bore adult audiences that they tend to 'bungle up' the old tricks in preparation for their new tricks which proves more astonishing.
Magic tricks, once shown how they are done, may be posed with risk of becoming stale. Sometimes it is because you are disappointed at how easy it actually is or maybe because you found out that the trick requires a lot of props to accomplish. This is the reason no magician in his right mind will tell an audience how a trick is done. A magic told is a magic lost. Secrecy is the key and the magic is in keeping those secrets within you.
Magic is a living art, new illusions are propping up and new ways are introduced. Yes, you will see magicians telling their tricks but true magicians will always find their way around it. They will devise new illusions from old illusions and they will get more creative in how they show those illusions.
วันจันทร์ที่ 24 พฤศจิกายน พ.ศ. 2551
Heroin is among the most potent or "hardest" drugs that an addict could use or take. It is a powerful opiate pain killer that produces euphoria and blissful passiveness. Long-term heroin addiction is also associated with difficult withdrawal symptoms and separation anxiety. Heroin is taken through injected doses, smoking, or by sniffing.
"Trainspotting" is a very interesting movie about the effects and dangers of heroin abuse. The 1996 movie based on a novel was directed by Danny Boyle and starred in by Ewan McGregor. The movie depicts the desperate lives of the heroin addicts who finance their drug habit through shoplifting and getting money from their parents. The movie also shows the "rollercoaster" life of heroin addicts who repeatedly swear to end their addiction only to find themselves again at the mercy of the local drug dealer.
Aside from the characters who are "hooked" on heroin, the film also shows the difficulties of other characters named Tommy and Begbie who do not take drugs but still lead troubled lives. Tommy is more fond of football and girls, while Begbie is a violent drunkard.
In one scene, the group of friends again engage in a heroin "session," this time, with a female friend. As the group drift away from "reality" due to the psychotropic effects of the narcotic, they also lose all sense of responsibility for their actions. After the effects of the "hit" wear off, they were shocked to find the baby dead and rotting in her crib. The heroin addicts were so "out of touch" that they eventually neglected to feed and care for the baby. Naturally, the mother of the baby suffered from extreme separation anxiety and grief after losing the baby. The death of the baby was an eye-opener for the group of friends and made them consider quitting their addiction.
Renton, the character portrayed by Ewan McGregor, tried so hard to "get clean" and leave behind his friends and his heroin addiction. Unfortunately, he got an overdose during his self-proclaimed "one last hit" of heroin. After the overdose incident, he was forced by his parents to quit heroin, "cold turkey." Renton was locked up at home and suffered severe withdrawal symptoms. He again experience separation anxiety since he was forcibly separated from this heroin-addicted gang. In numerous moments of hallucination, he was bothered by depressive thoughts, guilt, and shame. Specifically, he was very troubled by the death of the baby during one of their heroin sessions. As a means to start a new life, he reluctantly agreed to making a heroin transaction with his friends. The profits from the sale of the illegal narcotic was supposed to be split among them. Instead, Renton was able to run away with most of the money. His friends spiraled down back to their heroin addiction. The film ends by showing how Renton finally gave up his friends and his addiction by moving to London. In the city, he sought to find a new life far away from his petty thievery and heroin-dependent lifestyle. In London, he wanted to make a fresh start and take the opportunity to "choose life."
"Trainspotting" is a very interesting movie about the effects and dangers of heroin abuse. The 1996 movie based on a novel was directed by Danny Boyle and starred in by Ewan McGregor. The movie depicts the desperate lives of the heroin addicts who finance their drug habit through shoplifting and getting money from their parents. The movie also shows the "rollercoaster" life of heroin addicts who repeatedly swear to end their addiction only to find themselves again at the mercy of the local drug dealer.
Aside from the characters who are "hooked" on heroin, the film also shows the difficulties of other characters named Tommy and Begbie who do not take drugs but still lead troubled lives. Tommy is more fond of football and girls, while Begbie is a violent drunkard.
In one scene, the group of friends again engage in a heroin "session," this time, with a female friend. As the group drift away from "reality" due to the psychotropic effects of the narcotic, they also lose all sense of responsibility for their actions. After the effects of the "hit" wear off, they were shocked to find the baby dead and rotting in her crib. The heroin addicts were so "out of touch" that they eventually neglected to feed and care for the baby. Naturally, the mother of the baby suffered from extreme separation anxiety and grief after losing the baby. The death of the baby was an eye-opener for the group of friends and made them consider quitting their addiction.
Renton, the character portrayed by Ewan McGregor, tried so hard to "get clean" and leave behind his friends and his heroin addiction. Unfortunately, he got an overdose during his self-proclaimed "one last hit" of heroin. After the overdose incident, he was forced by his parents to quit heroin, "cold turkey." Renton was locked up at home and suffered severe withdrawal symptoms. He again experience separation anxiety since he was forcibly separated from this heroin-addicted gang. In numerous moments of hallucination, he was bothered by depressive thoughts, guilt, and shame. Specifically, he was very troubled by the death of the baby during one of their heroin sessions. As a means to start a new life, he reluctantly agreed to making a heroin transaction with his friends. The profits from the sale of the illegal narcotic was supposed to be split among them. Instead, Renton was able to run away with most of the money. His friends spiraled down back to their heroin addiction. The film ends by showing how Renton finally gave up his friends and his addiction by moving to London. In the city, he sought to find a new life far away from his petty thievery and heroin-dependent lifestyle. In London, he wanted to make a fresh start and take the opportunity to "choose life."
Some critics might say Jasper Cropseys The Backwoods of America, part of the Crystal Bridges growing American Art Collection, is a symbolic icon for billionaire Alice Waltons passion for the arts.
Designed by world renowned architect Moshe Safdie, and funded by billionaire Alice Walton, the 50 million dollars that is just the cost of the facility and does not include the artworks Crystal Bridges Museum of American Art is scheduled to open in 2009, in Bentonville, Arkansas. It was two years ago this month that the daughter of Sam Walton, Founder of Wal-Mart, made the controversial announcement.
The museum will house a permanent collection of signature works from American artists along with galleries dedicated to regional art and artists including Native American art, but oddly enough, this monumental task is not making everyone happy.
The depth of the museum is indicated in a purchase from Christies Americas auction house in New York City in 2004 of Charles Wilson Peales portrait of George Washington for $6.1 million. This is causing some critics to puff up, believing that the art works are being snatched from their own backyard. No need to worry, collaborating with other institutions will be an important focus of Crystal Bridges, even before the museum opens, and they can also rest easy to know Bentonville does have an airport.
A number of the works from the Crystal Bridges permanent collection are already on loan at various museums throughout the United States including: The Hudson River School masterwork Kindred Spirits which was loaned to The National Gallery in Washington, D.C. for public viewing from 2005 - 2007. It is currently on loan to the Brooklyn Museums exhibition by the same name featuring the works of Asher B. Durand. The same exhibition will also travel to Washington D.C. and San Diego.
Thomas Eakins Portrait of Professor Benjamin H. Rand is currently on loan to the Philadelphia Museum of Art. Jasper Cropseys majestic depiction of early American frontier life, The Backwoods of America, is now featured in the American galleries of The Nelson-Atkins in Kansas City, and the most extensive surviving group of Colonial American portraiture, the Levy-Franks family paintings, is currently on loan at The Jewish Museum in New York City. Also, the distinctive painting George Washington (The Constable-Hamilton Portrait) by the American painter Gilbert Stuart is currently on view at the Museum of Fine Arts Houston.
While the puffers puff, others admire Waltons passion and dedication to the arts, and recognize the fact Crystal Bridges will be the premier American Art Collection, once it is in place. The collection is headed up by Bob Workman, formerly associated with the Amon Carter Museum in Fort Worth, Texas.
When completed, the museum complex will encompass approximately 100,000 square feet of gallery, library, meeting, and office space, a 250-seat indoor auditorium, areas for outdoor concerts and public events, gallery rooms suitable for large receptions, as well as sculpture gardens and walking trails. Walton is building this American Dream on 100 pristine, wooded acres her family owns in Bentonville.
Designed by world renowned architect Moshe Safdie, and funded by billionaire Alice Walton, the 50 million dollars that is just the cost of the facility and does not include the artworks Crystal Bridges Museum of American Art is scheduled to open in 2009, in Bentonville, Arkansas. It was two years ago this month that the daughter of Sam Walton, Founder of Wal-Mart, made the controversial announcement.
The museum will house a permanent collection of signature works from American artists along with galleries dedicated to regional art and artists including Native American art, but oddly enough, this monumental task is not making everyone happy.
The depth of the museum is indicated in a purchase from Christies Americas auction house in New York City in 2004 of Charles Wilson Peales portrait of George Washington for $6.1 million. This is causing some critics to puff up, believing that the art works are being snatched from their own backyard. No need to worry, collaborating with other institutions will be an important focus of Crystal Bridges, even before the museum opens, and they can also rest easy to know Bentonville does have an airport.
A number of the works from the Crystal Bridges permanent collection are already on loan at various museums throughout the United States including: The Hudson River School masterwork Kindred Spirits which was loaned to The National Gallery in Washington, D.C. for public viewing from 2005 - 2007. It is currently on loan to the Brooklyn Museums exhibition by the same name featuring the works of Asher B. Durand. The same exhibition will also travel to Washington D.C. and San Diego.
Thomas Eakins Portrait of Professor Benjamin H. Rand is currently on loan to the Philadelphia Museum of Art. Jasper Cropseys majestic depiction of early American frontier life, The Backwoods of America, is now featured in the American galleries of The Nelson-Atkins in Kansas City, and the most extensive surviving group of Colonial American portraiture, the Levy-Franks family paintings, is currently on loan at The Jewish Museum in New York City. Also, the distinctive painting George Washington (The Constable-Hamilton Portrait) by the American painter Gilbert Stuart is currently on view at the Museum of Fine Arts Houston.
While the puffers puff, others admire Waltons passion and dedication to the arts, and recognize the fact Crystal Bridges will be the premier American Art Collection, once it is in place. The collection is headed up by Bob Workman, formerly associated with the Amon Carter Museum in Fort Worth, Texas.
When completed, the museum complex will encompass approximately 100,000 square feet of gallery, library, meeting, and office space, a 250-seat indoor auditorium, areas for outdoor concerts and public events, gallery rooms suitable for large receptions, as well as sculpture gardens and walking trails. Walton is building this American Dream on 100 pristine, wooded acres her family owns in Bentonville.
New Tang Dynasty Television's Chinese New Year Spectacular offers a truly tantalizing variety of dance this year, featuring all-new dance troupes and drawing upon 5,000 years of history spanning a vast range of different folk traditions from Mongolia to Tibet to the Yunnan region of China.
Acclaimed choreographer Yung Yung Tsuai has been working with the Spectacular since its inception in 2004. Ms. Tsuai came to the United States in 1970 to study contemporary dance on a Martha Graham Scholarship. She stayed on with the Graham Company and still teaches at the Martha Graham School of contemporary dance today.
Ms. Tsuai says the Spectacular is a particularly meaningful production for a lot of people because "over the last 100 years, much of China's rich traditional culture has been destroyed. People have lost their roots," Ms. Tsuai says. "Our performers want wholeheartedly to convey their culture and traditions to the audience to remind them, and themselves, of who the Chinese are."
Hundreds of dancers from all over the United States and Canada rehearsed almost every day for over a year. Yung Yung Tsuai is but one of six dance teachers, all of whom graduated from China's top dance schools, resulting in a combined total of more than a hundred years of training and experience. With so many expert teachers, Ms. Tsui says, "collaboration is a major part of the project."
Although choreographers use traditional themes and styles, many dances actually combine the styles of both east and west, fusing ballet techniques with the expressiveness of classical Chinese dance. All the dancers train extensively in both. Ms. Tsuai says ballet helps the dancers develop the skill needed to execute the classical Chinese movements.
For Ms. Tsuai, what is unique about the Spectacular is not just the dances themselves or the dazzling costumes, it is how the dances affect the audience. For those few minutes that each piece is presented on the stage, she says viewers will feel they have entered a time and place governed by chivalry, loyalty, and honesty—a place where beauty and peace prevail. "We are not just showing people traditional Chinese culture; we are waking up the part of them that yearns for beauty and goodness," said Ms. Tsuai.
This is what draws her back every year, sometimes as a choreographer, sometimes as a dance teacher. And, she says, this is what motivates the hundreds of dancers who give their lives over to the handful of days a year when the show comes to the stage.
"Art is the food of the soul," said Ms. Tsuai. "If you see art that promotes peace and harmony, you will bring that home with you. That's what's important. In the past people lived as if they were in a divine realm. Daily life wasn't necessarily religious but it was very spiritual. When art presents the beauty and positive side of human nature, it can positively influence people in how they relate to others in their daily lives."
Ms. Tsuai is confident the audience will leave NTDTV's Chinese New Year Spectacular feeling not only entertained but nourished and rejuvenated by this veritable feast for the soul.
Acclaimed choreographer Yung Yung Tsuai has been working with the Spectacular since its inception in 2004. Ms. Tsuai came to the United States in 1970 to study contemporary dance on a Martha Graham Scholarship. She stayed on with the Graham Company and still teaches at the Martha Graham School of contemporary dance today.
Ms. Tsuai says the Spectacular is a particularly meaningful production for a lot of people because "over the last 100 years, much of China's rich traditional culture has been destroyed. People have lost their roots," Ms. Tsuai says. "Our performers want wholeheartedly to convey their culture and traditions to the audience to remind them, and themselves, of who the Chinese are."
Hundreds of dancers from all over the United States and Canada rehearsed almost every day for over a year. Yung Yung Tsuai is but one of six dance teachers, all of whom graduated from China's top dance schools, resulting in a combined total of more than a hundred years of training and experience. With so many expert teachers, Ms. Tsui says, "collaboration is a major part of the project."
Although choreographers use traditional themes and styles, many dances actually combine the styles of both east and west, fusing ballet techniques with the expressiveness of classical Chinese dance. All the dancers train extensively in both. Ms. Tsuai says ballet helps the dancers develop the skill needed to execute the classical Chinese movements.
For Ms. Tsuai, what is unique about the Spectacular is not just the dances themselves or the dazzling costumes, it is how the dances affect the audience. For those few minutes that each piece is presented on the stage, she says viewers will feel they have entered a time and place governed by chivalry, loyalty, and honesty—a place where beauty and peace prevail. "We are not just showing people traditional Chinese culture; we are waking up the part of them that yearns for beauty and goodness," said Ms. Tsuai.
This is what draws her back every year, sometimes as a choreographer, sometimes as a dance teacher. And, she says, this is what motivates the hundreds of dancers who give their lives over to the handful of days a year when the show comes to the stage.
"Art is the food of the soul," said Ms. Tsuai. "If you see art that promotes peace and harmony, you will bring that home with you. That's what's important. In the past people lived as if they were in a divine realm. Daily life wasn't necessarily religious but it was very spiritual. When art presents the beauty and positive side of human nature, it can positively influence people in how they relate to others in their daily lives."
Ms. Tsuai is confident the audience will leave NTDTV's Chinese New Year Spectacular feeling not only entertained but nourished and rejuvenated by this veritable feast for the soul.
วันอาทิตย์ที่ 23 พฤศจิกายน พ.ศ. 2551
While Japanese animation is better known for having flashy special effects and obscenely choreographed fight scenes, there are other shows out there that offer a very distinct visual treat. Some shows become sleeper hits, never really making the headlines but having special places in the hearts of more...discerning anime fans. Among these shows is "Maria-sama ga Miteru," (affectionately called "Marimite" by fans) which is a show that focuses heavily on the characters' everyday lives, relationships, and personal complexities. Unlike most other anime, "Marimite" has no plot to follow, with the story instead taking time to examine each character in turn. The focus often falls on the relationship a character has with their closest companion, but can also delve deeply into the themes like how their connection with others gives them emotional stability. Some episodes highlight the depth of the devotion that the characters have for each other.
For example, several different chapters delved deeply into the emotional trauma that one of the major characters experienced. The story is one that is told in every high school, with two lovers being forced apart for some reason. In the case of "Marimite," it could be boiled down to one-sided anxiety in the affair. One of the girls in question, Shiori, was afraid of what would happen if she let go of her lifelong dream and decided to abandon her budding romance with Sei in favor of the stability of pursuing a goal. The nature of the relationship and the ominous end was studied in an early chapter but her recovery, thanks to her friends, was examined more deeply later on in the story. For most fans, that collective "story arc" is considered to be among the chief highlights of the show and is cited as among the most emotionally stirring moments in the history of anime.
Much more prominent, but arguably less dramatic, is the growing relationship between the main character, Yumi, and her idol, Sachiko. The pair, as noted by observers who are close to them, seem to be rather different from one another. Yumi is an ordinary girl who often sees herself as normal in every way, with more than her fair share of fear and anxiety at being in such close proximity to girls whom she saw as the "royalty" of the school. Sachiko, on the other hand, was every inch a princess bred for the sole purpose of fulfilling a role and maintaining appearances. Their growing ties with one another, along with just how much they influence and cherish one another, is the most prominent among the running threads of the show. As the story progresses, Sachiko slowly starts to open up more and learn to let go of her mask of emotional stability when needed. At the same time, Yumi is learning to become more confident with herself, along with learning to get better control of her emotional outbursts.
Ultimately, there are several other relationship threads and emotional connections than the ones presented above. The friendships between girls of the same year-level, their interactions with those that are ahead of them, and the recurring visits of girls who have already graduated offer glimpses into the depth of the closeness the cast shares. As some fans of the show have said, each girl is a window in every other girl's soul, often appearing as either a reflection of something inside them or as that unidentifiable piece that is missing from their lives. The show certainly lacks the capacity for epic drama, but then again, it is a show about ordinary lives and ordinary girls. Really, how much "epic drama" does the average girl have to look forward to, anyway?
For example, several different chapters delved deeply into the emotional trauma that one of the major characters experienced. The story is one that is told in every high school, with two lovers being forced apart for some reason. In the case of "Marimite," it could be boiled down to one-sided anxiety in the affair. One of the girls in question, Shiori, was afraid of what would happen if she let go of her lifelong dream and decided to abandon her budding romance with Sei in favor of the stability of pursuing a goal. The nature of the relationship and the ominous end was studied in an early chapter but her recovery, thanks to her friends, was examined more deeply later on in the story. For most fans, that collective "story arc" is considered to be among the chief highlights of the show and is cited as among the most emotionally stirring moments in the history of anime.
Much more prominent, but arguably less dramatic, is the growing relationship between the main character, Yumi, and her idol, Sachiko. The pair, as noted by observers who are close to them, seem to be rather different from one another. Yumi is an ordinary girl who often sees herself as normal in every way, with more than her fair share of fear and anxiety at being in such close proximity to girls whom she saw as the "royalty" of the school. Sachiko, on the other hand, was every inch a princess bred for the sole purpose of fulfilling a role and maintaining appearances. Their growing ties with one another, along with just how much they influence and cherish one another, is the most prominent among the running threads of the show. As the story progresses, Sachiko slowly starts to open up more and learn to let go of her mask of emotional stability when needed. At the same time, Yumi is learning to become more confident with herself, along with learning to get better control of her emotional outbursts.
Ultimately, there are several other relationship threads and emotional connections than the ones presented above. The friendships between girls of the same year-level, their interactions with those that are ahead of them, and the recurring visits of girls who have already graduated offer glimpses into the depth of the closeness the cast shares. As some fans of the show have said, each girl is a window in every other girl's soul, often appearing as either a reflection of something inside them or as that unidentifiable piece that is missing from their lives. The show certainly lacks the capacity for epic drama, but then again, it is a show about ordinary lives and ordinary girls. Really, how much "epic drama" does the average girl have to look forward to, anyway?
A fun teddy bear party is not a difficult thing to pull of with a little creativity and some things that you can find round your house! Here are some quick ideas for making the party "beary" fun!
Invitation ideas
Buy some inexpensive rubber stamps with bear images and let your little one make homemade invitations. Or cut a piece of cardstock into the shape of a bear and write your invitation on that. Free clipart can be found for this purpose in many places on the Internet. Make sure you include the request for all the guests to bring their own bear to the teddy bear party too!
Decoration ideas
When kids think of bears they usually think of honey and bees, so a big hit for decorations is LOTS of yellow and black balloons and streamers. If possible have various teddy bears all around the room as well to tie in the theme.
Menu ideas
When you're hosting a teddy bear party even your menu should be centered on teddy. Here is a cute way to turn Peanut Butter and Jelly sandwiches into a beary fun treat!
Spread your peanut butter and jelly onto eight whole-wheat hamburger buns. Now here's where the fun begins. Cut four of the eight buns in half. On a large tray or covered cookie sheet, arrange the buns into a shape of a teddy bear. For the tummy, put one whole bun and surround that with 4 half buns. Another whole bun becomes the head/face, with two half buns on the topsides of the head for the ears. Two whole buns become the legs and the final two half buns turn out off of the body to make arms. Garnish the face/head bun with raisin eyes and a strawberry slice mouth and you've got a bear! Use a separate tray for additional sandwiches and watch for all the smiles! Mix some honey and yogurt together for a great dip for cut fruit and your menu is complete!
Bear Party - Activities and craft ideas
Crafts with a bear theme abound but here are some quick ideas for your teddy bear party. Make a paper bear chain (paper dolls) that the kids can color and decorate. Use paper plates to make paper bear masks. Bead a bear collar (necklace). Take a picture with all the kids and their own bears and decorate a simple scrapbook page to honor the occasion. Decorate teddy bear cookies with colored icing and various decorations.
Bear Party - Game ideas
Pin the honey pot on the teddy bear - if you have an artist in the family, draw a large teddy bear on poster board and cut out honey pots. Blindfold each child individually and see if they can put the honey pot into the teddy bear's hand.
Hot Teddy Bear - like hot potato only pass the teddy bear to the music. When the music stops, the person with the teddy bear is out.
Toss the honey pot - draw a large bear head with an open mouth on poster board and lay it on the floor. Using yellow beanbags as the "honey" each child throws the bag to see if it will land in the bear's mouth.
Take home gift ideas
Purchase yellow lunch bags (available at party stores) and decorate with bee stickers. Fill with gummy bears, teddy grahams, miniature stuffed teddy bears and fun bear jewelry. Or if you want to go all out, hire a stuffed animal party planner to come and have each child make their own stuffed animal as part of the party.
Invitation ideas
Buy some inexpensive rubber stamps with bear images and let your little one make homemade invitations. Or cut a piece of cardstock into the shape of a bear and write your invitation on that. Free clipart can be found for this purpose in many places on the Internet. Make sure you include the request for all the guests to bring their own bear to the teddy bear party too!
Decoration ideas
When kids think of bears they usually think of honey and bees, so a big hit for decorations is LOTS of yellow and black balloons and streamers. If possible have various teddy bears all around the room as well to tie in the theme.
Menu ideas
When you're hosting a teddy bear party even your menu should be centered on teddy. Here is a cute way to turn Peanut Butter and Jelly sandwiches into a beary fun treat!
Spread your peanut butter and jelly onto eight whole-wheat hamburger buns. Now here's where the fun begins. Cut four of the eight buns in half. On a large tray or covered cookie sheet, arrange the buns into a shape of a teddy bear. For the tummy, put one whole bun and surround that with 4 half buns. Another whole bun becomes the head/face, with two half buns on the topsides of the head for the ears. Two whole buns become the legs and the final two half buns turn out off of the body to make arms. Garnish the face/head bun with raisin eyes and a strawberry slice mouth and you've got a bear! Use a separate tray for additional sandwiches and watch for all the smiles! Mix some honey and yogurt together for a great dip for cut fruit and your menu is complete!
Bear Party - Activities and craft ideas
Crafts with a bear theme abound but here are some quick ideas for your teddy bear party. Make a paper bear chain (paper dolls) that the kids can color and decorate. Use paper plates to make paper bear masks. Bead a bear collar (necklace). Take a picture with all the kids and their own bears and decorate a simple scrapbook page to honor the occasion. Decorate teddy bear cookies with colored icing and various decorations.
Bear Party - Game ideas
Pin the honey pot on the teddy bear - if you have an artist in the family, draw a large teddy bear on poster board and cut out honey pots. Blindfold each child individually and see if they can put the honey pot into the teddy bear's hand.
Hot Teddy Bear - like hot potato only pass the teddy bear to the music. When the music stops, the person with the teddy bear is out.
Toss the honey pot - draw a large bear head with an open mouth on poster board and lay it on the floor. Using yellow beanbags as the "honey" each child throws the bag to see if it will land in the bear's mouth.
Take home gift ideas
Purchase yellow lunch bags (available at party stores) and decorate with bee stickers. Fill with gummy bears, teddy grahams, miniature stuffed teddy bears and fun bear jewelry. Or if you want to go all out, hire a stuffed animal party planner to come and have each child make their own stuffed animal as part of the party.
วันเสาร์ที่ 22 พฤศจิกายน พ.ศ. 2551
When looking for a fine quality gift it is sometimes good to know a little of the history of the company; particularly when you are looking at collectibles.
Collectibles are a wonderful gift especially during the holiday season as many fine collectible companies have gifts that are designed for the season.
One of the oldest and most popular fine collectible companies is M.I. Hummel. Hummel figurines are created in Germany by master artists of W. Goebel Porzellanfabrik and based upon the creative and artistic vision of Sister Marie Innocentia Hummel who lived and worked in Germany during the first half of the 1900's.
Hummel figurines are world renowned and appreciated for the simple beauty and subtle humor which people have enjoyed for almost a century. I know my mother and my grandmother both have many Hummel figurines, some dating back to the early 1940's.
Admirers of Hummel figurines refer to them simply as "Hummels". Each Hummel is painstakingly hand sculpted and then painted by hand to flawless detail. They make a fine gift and can be seen at AffordableQualityGifts.
Another of the older established fine collectible companies is Swarovski Crystal.
Swarovski Crystal has been making the absolute best precision cut crystal for over a hundred years. Swarovski Crystal, family owned company based in Austria is known worldwide for the innovation and sophistication they bring to the art form, as well as the highest standards of artistic expression.
One of the advantages of giving a gift like a Hummel or a piece of fine crystal is that it eliminates the possibility that someone else may give the same gift. There are so many different collectibles available, and in the case of the Hummel even those that are of the same theme will be slightly different because they are hand made.
Hummels and Swarovski Crystal make excellent gifts that will make the recipient feel like you really care.
Collectibles are a wonderful gift especially during the holiday season as many fine collectible companies have gifts that are designed for the season.
One of the oldest and most popular fine collectible companies is M.I. Hummel. Hummel figurines are created in Germany by master artists of W. Goebel Porzellanfabrik and based upon the creative and artistic vision of Sister Marie Innocentia Hummel who lived and worked in Germany during the first half of the 1900's.
Hummel figurines are world renowned and appreciated for the simple beauty and subtle humor which people have enjoyed for almost a century. I know my mother and my grandmother both have many Hummel figurines, some dating back to the early 1940's.
Admirers of Hummel figurines refer to them simply as "Hummels". Each Hummel is painstakingly hand sculpted and then painted by hand to flawless detail. They make a fine gift and can be seen at AffordableQualityGifts.
Another of the older established fine collectible companies is Swarovski Crystal.
Swarovski Crystal has been making the absolute best precision cut crystal for over a hundred years. Swarovski Crystal, family owned company based in Austria is known worldwide for the innovation and sophistication they bring to the art form, as well as the highest standards of artistic expression.
One of the advantages of giving a gift like a Hummel or a piece of fine crystal is that it eliminates the possibility that someone else may give the same gift. There are so many different collectibles available, and in the case of the Hummel even those that are of the same theme will be slightly different because they are hand made.
Hummels and Swarovski Crystal make excellent gifts that will make the recipient feel like you really care.
With the popularity of Internet shopping, classic toys that were hard to find, have now started to find a whole new audience. These classics, which sold very well after they were introduced, never seem to go out of style and can still bring a smile to any child's face.
Let's step into the past and take a look into the history of one of these classic toys.
In 1943, a Naval engineer accidentally knocked some springs off of a shelf while he was working on a meter designed to monitor horsepower on battleships. He marveled at the way they "walked" instead of falling and the odd movement of these springs gave Richard James an idea and an instant toy was born. That toy: The Slinky.
Richard James then spent the next two years testing and refining the best steel gauge and coil to utilize for his new toy. His wife, Betty appropriately found the perfect name for this new toy- a Slinky; which is the Swedish word meaning traespiral or sleek.
The couple borrowed five hundred dollars and James designed a machine to coil eighty feet of wire into a two-inch spiral and manufacture their new toy. Sales were slow at first, but soared after the Slinky was demonstrated at Gimbel's Department Store in Philadelphia for the Christmas season in 1945. The first 400 sold within the ninety-minute demonstration and a new fad had begun.
Around 1960, Richard James suffered what some called a mid-life crisis and left his wife, their six children and joined a Bolivian religious cult. He also deserted the Slinky toy he worked so hard to produce and left the company in debt and ruin. Betty James took over as CEO of James Industries and introduced other toys for the "Slinky line-up" including: Slinky pets, crazy eyes Slinky (glasses with Slinky-extended fake eyeballs), neon Slinky, and also replaced the original black-blue Swedish steel with American steel. Additionally she moved the company headquarters from Philadelphia to Hollidaysburg, Pennsylvania and began an aggressive advertising campaign, complete with the now famous Slinky jingle:
"What walks down stairs, alone in pairs, And makes a Slinkity sound?
A spring, a spring, a marvelous thing, Everyone knows it's Slinky…
It's Slinky, it's Slinky, for fun it's a wonderful toy
It's Slinky, it's Slinky, it's fun for a girl or a boy"
However, the Slinky is not just an entertaining toy for children. It is used in schools in physics classes to demonstrate wave properties, forces, and energy states. The Slinky still continues to sell (250 million have been sold to date) and are still manufactured in Hollidaysburg, Pennsylvania using the original equipment designed by Richard James.
Let's step into the past and take a look into the history of one of these classic toys.
In 1943, a Naval engineer accidentally knocked some springs off of a shelf while he was working on a meter designed to monitor horsepower on battleships. He marveled at the way they "walked" instead of falling and the odd movement of these springs gave Richard James an idea and an instant toy was born. That toy: The Slinky.
Richard James then spent the next two years testing and refining the best steel gauge and coil to utilize for his new toy. His wife, Betty appropriately found the perfect name for this new toy- a Slinky; which is the Swedish word meaning traespiral or sleek.
The couple borrowed five hundred dollars and James designed a machine to coil eighty feet of wire into a two-inch spiral and manufacture their new toy. Sales were slow at first, but soared after the Slinky was demonstrated at Gimbel's Department Store in Philadelphia for the Christmas season in 1945. The first 400 sold within the ninety-minute demonstration and a new fad had begun.
Around 1960, Richard James suffered what some called a mid-life crisis and left his wife, their six children and joined a Bolivian religious cult. He also deserted the Slinky toy he worked so hard to produce and left the company in debt and ruin. Betty James took over as CEO of James Industries and introduced other toys for the "Slinky line-up" including: Slinky pets, crazy eyes Slinky (glasses with Slinky-extended fake eyeballs), neon Slinky, and also replaced the original black-blue Swedish steel with American steel. Additionally she moved the company headquarters from Philadelphia to Hollidaysburg, Pennsylvania and began an aggressive advertising campaign, complete with the now famous Slinky jingle:
"What walks down stairs, alone in pairs, And makes a Slinkity sound?
A spring, a spring, a marvelous thing, Everyone knows it's Slinky…
It's Slinky, it's Slinky, for fun it's a wonderful toy
It's Slinky, it's Slinky, it's fun for a girl or a boy"
However, the Slinky is not just an entertaining toy for children. It is used in schools in physics classes to demonstrate wave properties, forces, and energy states. The Slinky still continues to sell (250 million have been sold to date) and are still manufactured in Hollidaysburg, Pennsylvania using the original equipment designed by Richard James.
วันศุกร์ที่ 21 พฤศจิกายน พ.ศ. 2551
Fairs in this country have a long and ancient history, deeply rooted in tradition.
The word fair is derived from the Latin 'feria', meaning a holiday and at one time the Romans were credited with the introduction of fairs.
It is now generally accepted that their origins are from pagan customs of the people who first settled this land; their seasonal gatherings held for the purposes of both trade and festivity, contained within them the essential elements of the fair.
The Romans did much to promote fairs by improving trade and communications throughout the country.
During the centuries following the departure of the Romans, many fairs and other festivals were incorporated into the calendar of the growing Christian Church.
Charters granted by the sovereign gave the fair legal status and an increasing importance in the economic life of the nation.
Merchants and traders from Europe, the Middle East and beyond were drawn to the great chartered fairs of the Middle Ages bringing with them a wealth of goods.
The sheer number of these fairs, no fewer than 4860 were chartered between the years 1200 and 1400, drew not only merchant but entertainers as well: jugglers, musicians and tumblers - the ancestors of today's showmen.
The Black Death of 1348-49 brought about a new kind of fair.
In order to stem the rise in wages caused by the shortage of workers, Edward III introduced the Statute of Labourers.
This compelled all able bodied men to present themselves annually for hire at a stated wage.
These gathering or hiring fairs were held mainly around Michealmas, the end of the agricultural year.
By the early eighteenth century the trading aspects of the charter fairs had waned and most fairs consisted almost entirely of amusements, acrobats, illusionists and theatrical companies all plied their trade on fairgrounds.
Around this time the first fairground rides began to appear, small crudely constructed out of wood and propelled by gangs of boys.
In 1868, Frederick Savage, a successful agricultural engineer from Kings Lynn, devised a method of driving rides by steam.
His invention, a steam engine mounted in the centre of the ride was to transform the fairground industry.
Freed from the limitations of muscle power, rides could be made larger, more capacious and more heavily ornamented.
The showman's demand for novelty was matched by the ingenuity of Savage and other engineers.
In the wake of the steam revolution an amazing variety of new designs and rides appeared.
These rides were the forerunners of today's amazing thrill rides, over time innovations such as electric lighting, electric motors, hydraulics etc. allowed rides to evolve into the amazing devices that are seen today at any local fairground.
The word fair is derived from the Latin 'feria', meaning a holiday and at one time the Romans were credited with the introduction of fairs.
It is now generally accepted that their origins are from pagan customs of the people who first settled this land; their seasonal gatherings held for the purposes of both trade and festivity, contained within them the essential elements of the fair.
The Romans did much to promote fairs by improving trade and communications throughout the country.
During the centuries following the departure of the Romans, many fairs and other festivals were incorporated into the calendar of the growing Christian Church.
Charters granted by the sovereign gave the fair legal status and an increasing importance in the economic life of the nation.
Merchants and traders from Europe, the Middle East and beyond were drawn to the great chartered fairs of the Middle Ages bringing with them a wealth of goods.
The sheer number of these fairs, no fewer than 4860 were chartered between the years 1200 and 1400, drew not only merchant but entertainers as well: jugglers, musicians and tumblers - the ancestors of today's showmen.
The Black Death of 1348-49 brought about a new kind of fair.
In order to stem the rise in wages caused by the shortage of workers, Edward III introduced the Statute of Labourers.
This compelled all able bodied men to present themselves annually for hire at a stated wage.
These gathering or hiring fairs were held mainly around Michealmas, the end of the agricultural year.
By the early eighteenth century the trading aspects of the charter fairs had waned and most fairs consisted almost entirely of amusements, acrobats, illusionists and theatrical companies all plied their trade on fairgrounds.
Around this time the first fairground rides began to appear, small crudely constructed out of wood and propelled by gangs of boys.
In 1868, Frederick Savage, a successful agricultural engineer from Kings Lynn, devised a method of driving rides by steam.
His invention, a steam engine mounted in the centre of the ride was to transform the fairground industry.
Freed from the limitations of muscle power, rides could be made larger, more capacious and more heavily ornamented.
The showman's demand for novelty was matched by the ingenuity of Savage and other engineers.
In the wake of the steam revolution an amazing variety of new designs and rides appeared.
These rides were the forerunners of today's amazing thrill rides, over time innovations such as electric lighting, electric motors, hydraulics etc. allowed rides to evolve into the amazing devices that are seen today at any local fairground.
The willingness to deal with even unpleasant aspects of one's culture in a humorous-yet-serious manner is something that has been ever-present in the media. Social issues, along with the occasional political issue, can suddenly be the focal discussion point of episodes of popular shows, with some more prominent ones becoming the focus of entire series. The Japanese hikikomori problem, along with the standard social anxiety and hints of schizophrenia that being a hikikomori entails, has become the premise of a fairly recent franchise consisting of an anime, comic, and novel series known simply as "Welcome to the NHK."
The show focuses on the lives, trials, and tribulations of Sato Tatsuhiro, who is essentially a hikikomori. This means he exhibits extreme moments of social anxiety, going so far as to avoid his parents (whom he's living with) as much as he can. Besides being a social shut-in, he is also frequently seen to exhibit another Japanese sub-culture-turned-problem: that of being an obsessive anime otaku. For the unfamiliar, the Japanese see the otaku sub-culture as a potential social problem, mainly because most of these people have a slightly compromised grip on reality, preferring to focus their time, effort, and attention on various forms of entertainment. Usually, the obsessive nature targets a single media form, such as music or anime, and focuses exclusively on that. The sub-culture exhibits signs that are interpreted as social anxiety, though they sometimes appear to have somewhat normal social interactions on the rare occasions where large numbers of otaku gather.
Sato firmly believes that his status as both hikikomori and otaku, along with the social anxiety, poor people skills, and general paranoia, are all caused by a massive conspiracy. This conspiracy, known as the Nihon Hikikomori Kyokai (the Japanese Hikikomori Association), is the source of the "NHK" in the title, rather than the real-life Japanese television network NHK. His belief in this theory has developed into an elaborate delusion, which includes NHK agents in the form of cute, attractive young girls being sent to prospective targets to allow the conspiracy to more directly influence their targets. It is notable that while Sato initially believes the female lead, Misaki Nakahara, to be one of these agents, he never actually takes the time to detail what the NHK hopes to achieve by turning the entire male population of Japan into socially-inept shut-ins.
Together with a variety of other characters, some of which seem to be representatives of other socially-challenged Japanese sub-cultures, Misaki and Sato come together in the most unusual ways. Part of the interaction between the two leads stems from Misaki's contract with Sato, which states that once every evening, she is to lecture him on how to overcome his social anxiety and become a normal, functioning member of society again. Of course, to provide entertainment value, not everything goes as planned, with Sato experiencing everything from panic attacks due to being outside his apartment, to having Misaki pretend to be his girlfriend to fool his visiting mother.
Aside from the aforementioned subcultures, the show also briefly touches upon other aspects of Japanese culture. This includes the thriving independent gaming circuit, the "Internet suicide pacts" problem, and other Japanese social idiosyncrasies. It should be noted that, despite the title of the show, the network NHK never actually aired "Welcome to the NHK." Thus, unlike the novels, the show does not explicitly link the NHK conspiracy to the NHK television network.
The show focuses on the lives, trials, and tribulations of Sato Tatsuhiro, who is essentially a hikikomori. This means he exhibits extreme moments of social anxiety, going so far as to avoid his parents (whom he's living with) as much as he can. Besides being a social shut-in, he is also frequently seen to exhibit another Japanese sub-culture-turned-problem: that of being an obsessive anime otaku. For the unfamiliar, the Japanese see the otaku sub-culture as a potential social problem, mainly because most of these people have a slightly compromised grip on reality, preferring to focus their time, effort, and attention on various forms of entertainment. Usually, the obsessive nature targets a single media form, such as music or anime, and focuses exclusively on that. The sub-culture exhibits signs that are interpreted as social anxiety, though they sometimes appear to have somewhat normal social interactions on the rare occasions where large numbers of otaku gather.
Sato firmly believes that his status as both hikikomori and otaku, along with the social anxiety, poor people skills, and general paranoia, are all caused by a massive conspiracy. This conspiracy, known as the Nihon Hikikomori Kyokai (the Japanese Hikikomori Association), is the source of the "NHK" in the title, rather than the real-life Japanese television network NHK. His belief in this theory has developed into an elaborate delusion, which includes NHK agents in the form of cute, attractive young girls being sent to prospective targets to allow the conspiracy to more directly influence their targets. It is notable that while Sato initially believes the female lead, Misaki Nakahara, to be one of these agents, he never actually takes the time to detail what the NHK hopes to achieve by turning the entire male population of Japan into socially-inept shut-ins.
Together with a variety of other characters, some of which seem to be representatives of other socially-challenged Japanese sub-cultures, Misaki and Sato come together in the most unusual ways. Part of the interaction between the two leads stems from Misaki's contract with Sato, which states that once every evening, she is to lecture him on how to overcome his social anxiety and become a normal, functioning member of society again. Of course, to provide entertainment value, not everything goes as planned, with Sato experiencing everything from panic attacks due to being outside his apartment, to having Misaki pretend to be his girlfriend to fool his visiting mother.
Aside from the aforementioned subcultures, the show also briefly touches upon other aspects of Japanese culture. This includes the thriving independent gaming circuit, the "Internet suicide pacts" problem, and other Japanese social idiosyncrasies. It should be noted that, despite the title of the show, the network NHK never actually aired "Welcome to the NHK." Thus, unlike the novels, the show does not explicitly link the NHK conspiracy to the NHK television network.
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